{"id":981,"date":"2017-10-16T08:00:34","date_gmt":"2017-10-16T15:00:34","guid":{"rendered":"http:\/\/educatedguesswork.com\/?p=981"},"modified":"2018-06-26T22:17:06","modified_gmt":"2018-06-27T05:17:06","slug":"the-last-1k-101000","status":"publish","type":"post","link":"https:\/\/educatedguesswork.com\/?p=981","title":{"rendered":"The Last 1k+ (101,000)"},"content":{"rendered":"<p class=\"prose\">Once again, data about the last 1,000 (one thousand plus; see below) songs I listened to, which brought my total number of iTunes tracks heard up to 101,000.<\/p>\n<p><a href=\"https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongsO40s.jpeg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongsO40s-300x292.jpeg\" alt=\"Sing Me A Song Of The Swingin&#039; &#039;40s\" width=\"300\" height=\"292\" class=\"aligncenter size-medium wp-image-1003\" srcset=\"https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongsO40s-300x292.jpeg 300w, https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongsO40s-768x747.jpeg 768w, https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongsO40s-1024x997.jpeg 1024w, https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongsO40s-24x24.jpeg 24w, https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongsO40s-36x36.jpeg 36w, https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongsO40s-48x48.jpeg 48w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<h2>Purview<\/h2>\n<p class=\"prose\">We consider the songs heard since I hit one hundred thousand up through those which brought my total up to 101,000. Due to a new methodology, this made up more than 1,000 tracks &#8212; specifically, 1,043 items. These pieces were played through iTunes from June 9th to September 6, 2017.<\/p>\n<h4>New Methodology<\/h4>\n<h5>The Problem<\/h5>\n<p class=\"prose\">One issue I&#8217;ve alluded to before is the fact that as I&#8217;ve listened to each new thousand tracks, more than 1,000 tracks may be heard. This is because any song previously listened to which is heard again doesn&#8217;t contribute to the number of unique songs heard, but does add to the total number of tracks played over a given period of time. Additionally, any such old song heard may &#8216;push out&#8217; a newly played track from a given set of the &#8216;last X&#8217; of songs.<\/p>\n<p class=\"prose\">For example, if I&#8217;ve listened to 45 songs, and want to consider the last five songs listened to when I hit 50 unique tracks, I can envision the songs 41 through 45 thusly:<br \/>\n<a href=\"https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongOrder_1.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongOrder_1.png\" alt=\"\" width=\"1356\" height=\"350\" class=\"aligncenter size-full wp-image-983\" srcset=\"https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongOrder_1.png 1356w, https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongOrder_1-300x77.png 300w, https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongOrder_1-768x198.png 768w, https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongOrder_1-1024x264.png 1024w\" sizes=\"auto, (max-width: 1356px) 100vw, 1356px\" \/><\/a><br \/>\nI then listen to four more brand new songs, bringing the total number of unique tracks up to 49.<br \/>\n<a href=\"https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongOrder_2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongOrder_2.png\" alt=\"\" width=\"1356\" height=\"349\" class=\"aligncenter size-full wp-image-984\" srcset=\"https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongOrder_2.png 1356w, https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongOrder_2-300x77.png 300w, https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongOrder_2-768x198.png 768w, https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongOrder_2-1024x264.png 1024w\" sizes=\"auto, (max-width: 1356px) 100vw, 1356px\" \/><\/a><br \/>\nAt this point I listen to &#8220;Song A&#8221; again, which had previously been #41 &#8212; maybe I&#8217;m listening to my music on Random play, maybe I just like &#8220;Song A&#8221;.<br \/>\n<a href=\"https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongOrder_3.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongOrder_3.png\" alt=\"\" width=\"1676\" height=\"349\" class=\"aligncenter size-full wp-image-985\" srcset=\"https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongOrder_3.png 1676w, https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongOrder_3-300x62.png 300w, https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongOrder_3-768x160.png 768w, https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongOrder_3-1024x213.png 1024w\" sizes=\"auto, (max-width: 1676px) 100vw, 1676px\" \/><\/a><br \/>\nBut now &#8220;Song A&#8221; is #49 in my recently played accounting (it isn&#8217;t #50 because this song has been heard before, so doesn&#8217;t add to the total, just displaces previous ordering), and &#8220;Song E&#8221; becomes #44, though it had been #45 before. Thus when an entirely new song &#8212; &#8220;Song J&#8221; &#8212; is heard, if we only consider the most recent 5 tracks played bringing the total up to fifty, &#8220;Song F&#8221; is ignored, as this track which was once #46 is now #45.<br \/>\n<a href=\"https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongOrder_4.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongOrder_4.png\" alt=\"\" width=\"1996\" height=\"349\" class=\"aligncenter size-full wp-image-986\" srcset=\"https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongOrder_4.png 1996w, https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongOrder_4-300x52.png 300w, https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongOrder_4-768x134.png 768w, https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongOrder_4-1024x179.png 1024w\" sizes=\"auto, (max-width: 1996px) 100vw, 1996px\" \/><\/a><br \/>\nThus the &#8220;last <em>x<\/em>&#8221; songs may ignore newly played songs when previously played songs are heard again.<\/p>\n<h5>The Solution<\/h5>\n<p class=\"prose\">To give a complete view of the most recently played tracks, therefore, we will consider the entirety of songs played since the last song mentioned in the previous review. We <em>may<\/em> end up looking at tracks we&#8217;ve seen before, but we will also have a more complete picture of the actual sounds heard through iTunes during the most recent addition of one thousand <strong>new<\/strong> tracks to the complete set of heard files.<\/p>\n<h5>New Problems<\/h4>\n<p class=\"prose\">This new methodology means that the various percentages obtained are no longer immediately obvious from the absolute numbers involved. We must also consider whether to examine statistics for just the new songs or for the entire set. This we shall do on a case-by-case basis.<\/p>\n<h2>Overview<\/h2>\n<p class=\"prose\">Given this new methodology, the first thing to be noted is that we shall consider 1,043 songs, as this is the number of tracks heard since the one hundred thousandth was played until 101,000 songs were played.<\/p>\n<blockquote><p><span style=\"font-size: large;\">1,043 Songs Played<\/span><\/p><\/blockquote>\n<p class=\"prose\">Of these 1,043 songs, 1,024 were heard for the first time.<\/p>\n<p class=\"prose\">We can no longer speak of &#8220;changes&#8221; to the conditions of my material life, as these changes now appear to have semi-permanent status. We will therefore not speak of these again. However, the effects of this unspoken continue unabated, and once again Radio Shows make up the plurality of the 1,000+ songs, although they do not preponderate this time: Almost 39% of all tracks played are Radio Shows.<\/p>\n<blockquote><p><span style=\"font-size: large;\">38.93% of all tracks played were Radio Shows<\/span><\/p><\/blockquote>\n<p class=\"prose\">To repeat, these 1,043 tracks were played between June 9th and September 6, 2017, a total of 89 days. Thus not quite 12 songs were played per day.<\/p>\n<blockquote><p><span style=\"font-size: large;\">11.7 Songs played per Day<\/span><\/p><\/blockquote>\n<p class=\"prose\">The total amount of time taken to play these 1k+ songs was 19 days, 19 hours, 52 minutes, and 45 seconds.<\/p>\n<blockquote><p><span style=\"font-size: large;\">Total Time of Tracks: 19 Days, 19 Hours, 52 Minutes, and 45 Seconds<\/span><\/p><\/blockquote>\n<p class=\"prose\">Since these songs were played over a stretch of 89 days, and given the total length of time of all played tracks above, this means that over 22% of this 89-day period was spent listening to iTunes in one way or another. This is a substantial reduction in the time per day listening to music, which corresponds to a substantial reduction in the material conditions of my life. (Darn, I wasn&#8217;t going to mention that&#8230;.)<\/p>\n<blockquote><p><span style=\"font-size: large;\">22.3% of Each Day spent listening to iTunes<\/span><\/p><\/blockquote>\n<p>or<\/p>\n<blockquote><p><span style=\"font-size: large;\">5 hours, 20.8 minutes per day Listening to Stuff<\/span><\/p><\/blockquote>\n<h2>Details<\/h2>\n<h3>Genres<\/h3>\n<p class=\"prose\">The data shows the prevalence of Radio Shows in my recent listening. Here is a chart, broken down by genre, showing what was included in these one thousand tracks:<\/p>\n<p><a href=\"https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongByGenre.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongByGenre-1024x753.png\" alt=\"\" width=\"695\" height=\"511\" class=\"aligncenter size-large wp-image-990\" srcset=\"https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongByGenre-1024x753.png 1024w, https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongByGenre-300x221.png 300w, https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongByGenre-768x564.png 768w, https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongByGenre.png 1400w\" sizes=\"auto, (max-width: 695px) 100vw, 695px\" \/><\/a><\/p>\n<p class=\"prose\">And here is a table showing those genres which each provided over 1% of the total number of tracks played:<\/p>\n<blockquote><p><span style=\"font-size: large;\">Songs Played by Genre<\/span><\/p>\n<table style=\"width: 90%; border: none;\">\n<tbody>\n<tr>\n<td><span style=\"font-size: large;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size: large;\">406<\/span><\/td>\n<td><span style=\"font-size: large;\">38.9%<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Rock<\/span><\/td>\n<td><span style=\"font-size: large;\">167<\/span><\/td>\n<td><span style=\"font-size: large;\">16%<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">SubGenius<\/span><\/td>\n<td><span style=\"font-size: large;\">60<\/span><\/td>\n<td><span style=\"font-size: large;\">5.75%<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Classical<\/span><\/td>\n<td><span style=\"font-size: large;\">55<\/span><\/td>\n<td><span style=\"font-size: large;\">5.27%<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Pop<\/span><\/td>\n<td><span style=\"font-size: large;\">41<\/span><\/td>\n<td><span style=\"font-size: large;\">3.93%<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">History<\/span><\/td>\n<td><span style=\"font-size: large;\">39<\/span><\/td>\n<td><span style=\"font-size: large;\">3.74%<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Jazz<\/span><\/td>\n<td><span style=\"font-size: large;\">30<\/span><\/td>\n<td><span style=\"font-size: large;\">2.88%<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Spoken &#038; Audio<\/span><\/td>\n<td><span style=\"font-size: large;\">30<\/span><\/td>\n<td><span style=\"font-size: large;\">2.88%<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">World<\/span><\/td>\n<td><span style=\"font-size: large;\">24<\/span><\/td>\n<td><span style=\"font-size: large;\">2.30%<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Gospel &#038; Religioius<\/span><\/td>\n<td><span style=\"font-size: large;\">21<\/span><\/td>\n<td><span style=\"font-size: large;\">2.01%<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Alternative<\/span><\/td>\n<td><span style=\"font-size: large;\">16<\/span><\/td>\n<td><span style=\"font-size: large;\">1.53%<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Folk<\/span><\/td>\n<td><span style=\"font-size: large;\">16<\/span><\/td>\n<td><span style=\"font-size: large;\">1.53%<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">R&#038;B<\/span><\/td>\n<td><span style=\"font-size: large;\">16<\/span><\/td>\n<td><span style=\"font-size: large;\">1.53%<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Electronica\/Dance<\/span><\/td>\n<td><span style=\"font-size: large;\">15<\/span><\/td>\n<td><span style=\"font-size: large;\">1.44%<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Other<\/span><\/td>\n<td><span style=\"font-size: large;\">15<\/span><\/td>\n<td><span style=\"font-size: large;\">1.44%<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Latin<\/span><\/td>\n<td><span style=\"font-size: large;\">14<\/span><\/td>\n<td><span style=\"font-size: large;\">1.34%<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Novelty<\/span><\/td>\n<td><span style=\"font-size: large;\">14<\/span><\/td>\n<td><span style=\"font-size: large;\">1.34%<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Punk<\/span><\/td>\n<td><span style=\"font-size: large;\">14<\/span><\/td>\n<td><span style=\"font-size: large;\">1.34%<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Hip Hop\/Rap<\/span><\/td>\n<td><span style=\"font-size: large;\">13<\/span><\/td>\n<td><span style=\"font-size: large;\">1.25%<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Country<\/span><\/td>\n<td><span style=\"font-size: large;\">12<\/span><\/td>\n<td><span style=\"font-size: large;\">1.15%<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/blockquote>\n<p>All the rest of tracks played make up 2.4% of the total.<\/p>\n<p class=\"prose\">But once again the prevalence of Radio Shows is even greater than shown by this first view, since the average radio show is longer than most popular songs. If we inspect the tracks played with respect to their duration we discover that the Radio Show genre actually makes up just under 3\/4 of the total.<\/p>\n<blockquote><p><span style=\"font-size: large;\">74.17% of Listening Time devoted to Radio Shows<\/span><\/p><\/blockquote>\n<p>Here&#8217;s the chart:<br \/>\n<a href=\"https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongsByTotTime.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongsByTotTime-1024x737.png\" alt=\"\" width=\"695\" height=\"500\" class=\"aligncenter size-large wp-image-993\" srcset=\"https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongsByTotTime-1024x737.png 1024w, https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongsByTotTime-300x216.png 300w, https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongsByTotTime-768x552.png 768w, https:\/\/educatedguesswork.com\/wp-content\/uploads\/2017\/10\/SongsByTotTime.png 1557w\" sizes=\"auto, (max-width: 695px) 100vw, 695px\" \/><\/a><\/p>\n<p class=\"prose\">And here&#8217;s the table of those genres contributing over 1% of the total time played:<\/p>\n<blockquote><p><span style=\"font-size: large;\">Genre of Tracks Played by Time<\/span><\/p>\n<table style=\"width: 90%; border: none;\">\n<tbody>\n<tr>\n<td><span style=\"font-size: large;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size: large;\">74.17%<\/span><\/td>\n<td>14d 16h 57m 4s<\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">SubGenius<\/span><\/td>\n<td><span style=\"font-size: large;\">11.71%<\/span><\/td>\n<td>2d 7h 43m 39s<\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">History<\/span><\/td>\n<td><span style=\"font-size: large;\">&nbsp;3.73%<\/span><\/td>\n<td>17h 46m 7s<\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Rock<\/span><\/td>\n<td><span style=\"font-size: large;\">&nbsp;2.57%<\/span><\/td>\n<td>12h 14m 43s<\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Spoken &#038; Audio<\/span><\/td>\n<td><span style=\"font-size: large;\">&nbsp;2.48%<\/span><\/td>\n<td>11h 48m 13s<\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Gospel &#038; Religious<\/span><\/td>\n<td><span style=\"font-size: large;\">&nbsp;1.20%<\/span><\/td>\n<td>5h 43m 36s<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/blockquote>\n<p class=\"prose\">Technically speaking, the SubGenius genre could be folded in with the Radio Shows, as this genre comprises for the most part the early broadcasts of <em>The Hour of Slack<\/em>, back when these aired over KNON in Dallas, Texas. (Now, of course, the church uses podcasts to spread its message, such as it is. (Although a 21st-century re-devival may be inaugurated if the <a href=\"https:\/\/www.kickstarter.com\/projects\/2049586998\/the-church-of-the-subgenius-a-documentary\">new SubGenius documentary<\/a> <em>Slacking Towards Bethlehem<\/em> reaches its Kickstarter goal. (<a href=\"https:\/\/www.kickstarter.com\/projects\/2049586998\/the-church-of-the-subgenius-a-documentary\">Pledge now!<\/a>))) If this were done, the total time for Radio Shows would rise to just under 86%, and the number of tracks would be 44.65%. I&#8217;m keeping these separate, however.<\/p>\n<p class=\"prose\">Both genres, however, averaged over fifty minutes per cut, which led to an average length for played tracks of twenty-seven minutes and twenty-three seconds. This represents a small decline in the average from the last thousand tracks, being a minute and one second less.<\/p>\n<blockquote><p><span style=\"font-size: large;\">Average length of played tracks: 27:22.5<\/span><\/p><\/blockquote>\n<p class=\"prose\">The longest tracks were <strong><em>much<\/em><\/strong> longer this time around, even though the total average was similar. The longest average belonged to the SubGenius shows, just below an hour at fifty-five minutes and forty-four seconds (55:43.7). Radio shows had the next longest average, at fifty-two minutes and ten seconds (52:09.6). Three other Genres averaged over ten minutes: History (27:20.2), Spoken &#038; Audio (23:36.4), and Gospel &#038; Religious (16:21.7 &#8212; this genre averaged so high because I listened to some the lengthiest suras from The Holy Quran).<\/p>\n<blockquote><p><span style=\"font-size: large;\">Average Length of Tracks by Genre<\/span><\/p>\n<table style=\"width: 75%; border: none;\">\n<tbody>\n<tr>\n<td><span style=\"font-size: large;\">SubGenius<\/span><\/td>\n<td>(60 tracks)<\/td>\n<td><span style=\"font-size: large;\">55:43.7<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Radio Show<\/span><\/td>\n<td>(406 tracks)<\/td>\n<td><span style=\"font-size: large;\">52:09.6<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">History<\/span><\/td>\n<td>(39 tracks)<\/td>\n<td><span style=\"font-size: large;\">27:20.2<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Spoken &#038; Audio<\/span><\/td>\n<td>(30 tracks)<\/td>\n<td><span style=\"font-size: large;\">23:36.4<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Gospel &#038; Religious<\/span><\/td>\n<td>(21 tracks)<\/td>\n<td><span style=\"font-size: large;\">16:21.7<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Electronica\/Dance<\/span><\/td>\n<td>(15 tracks)<\/td>\n<td><span style=\"font-size: large;\">&nbsp;6:12.3<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Country<\/span><\/td>\n<td>(12 tracks)<\/td>\n<td><span style=\"font-size: large;\">&nbsp;4:56.4<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Folk<\/span><\/td>\n<td>(16 tracks)<\/td>\n<td><span style=\"font-size: large;\">&nbsp;4:54<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Rock<\/span><\/td>\n<td>(167 tracks)<\/td>\n<td><span style=\"font-size: large;\">&nbsp;4:24.0<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Jazz<\/span><\/td>\n<td>(30 tracks)<\/td>\n<td><span style=\"font-size: large;\">&nbsp;4:18.8<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">R&#038;B<\/span><\/td>\n<td>(16 tracks)<\/td>\n<td><span style=\"font-size: large;\">&nbsp;4:11.3<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Alternative<\/span><\/td>\n<td>(16 tracks)<\/td>\n<td><span style=\"font-size: large;\">&nbsp;4:10.4<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Latin<\/span><\/td>\n<td>(14 tracks)<\/td>\n<td><span style=\"font-size: large;\">&nbsp;3:56.6<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Hip Hop\/Rap<\/span><\/td>\n<td>(13 tracks)<\/td>\n<td><span style=\"font-size: large;\">&nbsp;3:50.8<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">World<\/span><\/td>\n<td>(24 tracks)<\/td>\n<td><span style=\"font-size: large;\">&nbsp;3:44.7<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Pop<\/span><\/td>\n<td>(41 tracks)<\/td>\n<td><span style=\"font-size: large;\">&nbsp;3:26.6<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Classical<\/span><\/td>\n<td>(55 tracks)<\/td>\n<td><span style=\"font-size: large;\">&nbsp;3:14.1<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Punk<\/span><\/td>\n<td>(14 tracks)<\/td>\n<td><span style=\"font-size: large;\">&nbsp;2:50.2<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Other<\/span><\/td>\n<td>(15 tracks)<\/td>\n<td><span style=\"font-size: large;\">&nbsp;2:44.8<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\">Novelty<\/span><\/td>\n<td>(14 tracks)<\/td>\n<td><span style=\"font-size: large;\">&nbsp;2:28<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/blockquote>\n<p class=\"prose\">Perhaps the biggest surprise is the short average for the Classical genre, which one thinks of as having longer movements.<\/p>\n<h3 class=\"prose\">Albums<\/h3>\n<p class=\"prose\">Once again the Radio Show &#8216;albums&#8217; contribute a large number of the tracks, and the major contributor from the last thousand supplied even more this time around. This was the <em>Lux Radio Theatre<\/em>, which provided nearly two hundred tracks (196). Besides the SubGenius Hour of Slack, another non-radio album gave over forty tracks to the cause, <a href=\"http:\/\/www.blockmrecords.org\/bach\/download.htm\" rel=\"noopener\" target=\"_blank\">James Kibble&#8217;s rendition of Bach<\/a>&#8216;s Chorale Preludes for organ. In all, 9 albums had ten or more tracks played, and those 9 accounted for 443 (of 1043) tracks played.<\/p>\n<blockquote><p><span style=\"font-size: large;\">9 albums provided 443 tracks (42.5%)<\/span>\n<\/p><\/blockquote>\n<p class=\"prose\">Rounding out the 9 albums mentioned above, two more non-radio albums appear, a 1988 Frost Amphitheatre show by Jerry Garcia, and a mediocre Christian Rock album &#8212; which went double platinum and was the 4th best selling Christian album of the 2000s &#8212; <em>Almost There<\/em> by MercyMe.<\/p>\n<table style=\"width: 100%;border: 1px solid black;\">\n<tbody>\n<tr>\n<td><span style=\"font-size: large;\"><i>Lux Radio Theatre<\/i><\/span><\/td>\n<td><span style=\"font-size: large;\">196 tracks<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\"><i>Hour of Slack<\/i><\/span><\/td>\n<td><span style=\"font-size: large;\">54<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\"><i>Sears Radio Theater<\/i><\/span><\/td>\n<td><span style=\"font-size: large;\">53<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\"><i>NBC University Theater<\/i><\/span><\/td>\n<td><span style=\"font-size: large;\">46<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\"><i>Bach Organ Works &#8211; Individual Chorale Preludes<\/i><\/span><\/td>\n<td><span style=\"font-size: large;\">41<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\"><i>The General Mills Radio Adventure Theater<\/i><\/span><\/td>\n<td><span style=\"font-size: large;\">16<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\"><i>CBS Radio Mystery Theater<\/i><\/span><\/td>\n<td><span style=\"font-size: large;\">14<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\"><i>1988-07-09 &#8211; Frost Amphitheatre<\/i><\/span><\/td>\n<td><span style=\"font-size: large;\">13<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: large;\"><i>Almost There<\/i><\/span><\/td>\n<td><span style=\"font-size: large;\">10<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3>Artists<\/h3>\n<p class=\"prose\">Except those shows and musicians mentioned earlier, only one artist breaks into the most played list with more than ten tracks &#8212; Columbia recording artist, Bob Dylan. He appears 29 times.<\/p>\n<h3 class=\"prose\">Songs<\/h3>\n<p class=\"prose\">Almost the entirety of these 1,043 tracks were played for the first time. Only 19 songs had been played more than once, for a total of 61 plays. Of these, Led Zeppelin&#8217;s &#8220;The Rain Song&#8221; and The Honeydrippers&#8217;s cover of &#8220;Sea of Love&#8221; have been played the most, with both tracks racking up eight plays apiece.<\/p>\n<p class=\"prose\">Only three other songs among these with repeated plays were played more than twice: &#8220;The Blues Are Still Blue&#8221; by Belle &#038; Sebastian and the Star Trek theme with Shatner&#8217;s voiceover <em>auf Deutsch<\/em> (both played 7 times), and the chant of a Pokot witch doctor from the album <em>Kenya &#038; Tanzania: Witchcraft &#038; Ritual Music<\/em> (played thrice).<\/p>\n<p class=\"prose\">The shortest track was only 8 seconds long, an <em>Hour of Slack<\/em> intro created by Mr. F. Le Mur. The longest track lasted two hours, thirty minutes and forty-six seconds; this was &#8220;Face of the Foe&#8221;, a week-long radio drama, from the series <i>Zero Hour<\/i> hosted by Rod Serling, which originally aired in 1973. The song closest to the average length (the median) was &#8220;The Lily of St Pierre&#8221; from the 1940&#8217;s radio program <em>The Damon Runyon Theatre<\/em> which clocks in at twenty-seven minutes and nineteen seconds.<\/p>\n<h2 class=\"prose\">Review<\/h2>\n<p class=\"prose\">The average rating for all 1,000+ tracks was 3-1\/2 stars. Once again, this is lower than usual for my rated items.<\/p>\n<p class=\"prose\">One of the reasons for the lengthier tracks in this last set of songs is my desire to make up for the deficit in tracks played by total time. I had achieved the goal of having played half of my iTunes collection whether looked at from number of tracks, total time of all songs, or amount of data occupied by all of the files. With the introduction of a significant set of radio shows into my collection, I no longer can claim to have listened to half my collection &#8212; at least not in terms of total time of all tracks (I have still heard more than half the tracks by total number and total file size). Though almost twenty days of iTunes were listened to in this last 1000+, only sixteen days (and ten hours) were gained towards the halfway point, due to additions to my collection since the last report. At the time of the 101,000th song play, the differential between played and unplayed tracks amounted to 120 days, 5 hours, 11 minutes, 37 seconds (<span style=\"color:green\">321 days, 9 hours, 15 minutes, and 56 seconds<\/span> [played] vs. <span style=\"color:red\">441 days, 4 hours, 4 minutes, and 19 seconds<\/span> [unplayed]). If no other tracks are added or deleted (which is already not true), I&#8217;d need to listen to just half this amount to reach the halfway point. Thus:<\/p>\n<blockquote><p><span style=\"font-size: large;\">60 days, 2-1\/2 hours of listening to reach the halfway point<\/span><\/p><\/blockquote>\n<p class=\"prose\">Besides the radio shows I&#8217;ve previously named as worth checking out, I&#8217;d like to add <em>Stand By For Crime<\/em>. (Trigger Warning: blatant sexism)<\/p>\n<p class=\"prose\">Another radio show which deserves your especial attention is <em>Freedom, U.S.A.<\/em>, which follows Senator Dean Edwards (played by Tyrone Power) as he defends the U.S. Constitution, ferrets out mal- and misfeasance, and protects freedom &#8212; not just in the good ol&#8217; U.S. of A., but around the entire world. The program is an audible, laudable civics lesson, hearkening back to an earlier age when words had meanings and communication was still possible.*<\/p>\n<p style=\"padding-left: 30px; padding-right: 30px;\"><span style=\"font-size: small;\">*But see Rebecca West&#8217;s &#8220;There Is No Conversation&#8221; for a contrasting viewpoint (several, in fact).<\/span><\/p>\n<p class=\"prose\">(Now standard procrastinatory disclaimer paragraph)<\/p>\n<p style=\"padding-left: 20px; padding-right: 20px;\"><span style=\"font-size: small;\">I still hope to make an analysis of the full set of my first 100,000 songs. But I do not doubt that &#8230;. Blah, blah, blah, blah&#8230;.<\/span><\/p>\n<p class=\"prose\">Here is another 10% sample of these last one thousand songs:<\/p>\n<blockquote><p><span style=\"font-size:large;\">Every Tenth Track of One Thousand (plus!) Tracks<\/span><\/p><\/blockquote>\n<table style=\"width:100%;border:none;font-size:small;\">\n<col style=\"width:1%;\" \/>\n<col style=\"width:24%;\" \/>\n<col style=\"width:37%;\" \/>\n<col style=\"width:26%;\" \/>\n<col style=\"width:2%;\" \/>\n<col style=\"width:2%;\" \/>\n<col style=\"width:8%;\" \/>\n<tr>\n<td>#\u2020<\/td>\n<td>Artist<\/td>\n<td>Name<\/td>\n<td>Album<\/td>\n<td>Date<\/td>\n<td>Time<\/td>\n<td>Genre<\/td>\n<\/tr>\n<tr>\n<td><strong>-40<\/strong><\/td>\n<td><\/td>\n<td>&#8220;Pokot Witch Doctor&#8221;<\/td>\n<td><em>Kenya &#038; Tanzania: Witchcraft &#038; Ritual Music<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1975<\/span><\/td>\n<td><span style=\"font-size:x-small;\">3:09<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Folk<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>-30<\/strong><\/td>\n<td>Frank Lovejoy<\/td>\n<td>&#8220;Zero&#8221;<\/td>\n<td><em>Night Beat<\/em><\/td>\n<td><span style=\"font-size:x-small;\">2\/6\/50<\/span><\/td>\n<td><span style=\"font-size:x-small;\">30:23<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>-20<\/strong><\/td>\n<td>Ray Bourbon<\/td>\n<td>&#8220;Strong, Solid, Sensational&#8221;<\/td>\n<td><em>Top 50 Classics &#8211; The Very Best of Ray Bourbon<\/em><\/td>\n<td><span style=\"font-size:x-small;\">2015<\/span><\/td>\n<td><span style=\"font-size:x-small;\">3:19<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Novelty<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>-10<\/strong><\/td>\n<td>Space Patrol<\/td>\n<td>&#8220;Revenge of Dr Yeager&#8221;<\/td>\n<td><em>Space Patrol<\/em><\/td>\n<td><span style=\"font-size:x-small;\">2\/13\/54<\/span><\/td>\n<td><span style=\"font-size:x-small;\">28:48<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>0<\/strong><\/td>\n<td>Words At War<\/td>\n<td>&#8220;Apartment In Athens&#8221;<\/td>\n<td><em>Words At War<\/em><\/td>\n<td><span style=\"font-size:x-small;\">4\/10\/45<\/span><\/td>\n<td><span style=\"font-size:x-small;\">28:19<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>10<\/strong><\/td>\n<td>John Dehner<\/td>\n<td>&#8220;Heyboy&#8217;s Revenge&#8221;<\/td>\n<td><em>Have Gun, Will Travel<\/em><\/td>\n<td><span style=\"font-size:x-small;\">3\/1\/59<\/span><\/td>\n<td><span style=\"font-size:x-small;\">25:04<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>20<\/strong><\/td>\n<td>Space Patrol<\/td>\n<td>&#8220;The Tattooed Atom&#8221;<\/td>\n<td><em>Space Patrol<\/em><\/td>\n<td><span style=\"font-size:x-small;\">6\/12\/54<\/span><\/td>\n<td><span style=\"font-size:x-small;\">29:15<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>30<\/strong><\/td>\n<td>Bette Grable &#038; Dan Dailey<\/td>\n<td>&#8220;Mother Wore Tights&#8221;<\/td>\n<td><em>Lux Radio Theatre<\/em><\/td>\n<td><span style=\"font-size:x-small;\">11\/14\/49<\/span><\/td>\n<td><span style=\"font-size:x-small;\">58:15<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>40<\/strong><\/td>\n<td>Judy Garland &#038; Hans Conried<\/td>\n<td>&#8220;The Wizard of Oz&#8221;<\/td>\n<td><em>Lux Radio Theatre<\/em><\/td>\n<td><span style=\"font-size:x-small;\">12\/25\/50<\/span><\/td>\n<td><span style=\"font-size:x-small;\">59:46<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>50<\/strong><\/td>\n<td>Barry Fitzgerald<\/td>\n<td>&#8220;Top O&#8217; the Morning&#8221;<\/td>\n<td><em>Lux Radio Theatre<\/em><\/td>\n<td><span style=\"font-size:x-small;\">3\/17\/52<\/span><\/td>\n<td><span style=\"font-size:x-small;\">58:33<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>60<\/strong><\/td>\n<td>Olivia de Haviland<\/td>\n<td>&#8220;The Heiress&#8221;<\/td>\n<td><em>Lux Radio Theatre<\/em><\/td>\n<td><span style=\"font-size:x-small;\">9\/11\/50<\/span><\/td>\n<td><span style=\"font-size:x-small;\">52:25<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>70<\/strong><\/td>\n<td>Church of the SubGenius<\/td>\n<td>&#8220;Hour of Slack #342 &#8211; Will O&#8217; Dobbs filling in for Stang&#8221;<\/td>\n<td><em>Hour of Slack<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1992<\/span><\/td>\n<td><span style=\"font-size:x-small;\">1:02:01<\/span><\/td>\n<td><span style=\"font-size:x-small;\">SubGenius<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>80<\/strong><\/td>\n<td>Sears Radio Theater<\/td>\n<td>&#8220;Hizzoner Hamlet&#8221;<\/td>\n<td><em>Sears Radio Theater<\/em><\/td>\n<td><span style=\"font-size:x-small;\">4\/17\/79<\/span><\/td>\n<td><span style=\"font-size:x-small;\">51:05<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>90<\/strong><\/td>\n<td>NBC University Theater<\/td>\n<td>&#8220;The Ides Of March&#8221;<\/td>\n<td><em>NBC University Theater<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1\/15\/50<\/span><\/td>\n<td><span style=\"font-size:x-small;\">59:28<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>100<\/strong><\/td>\n<td>artist<\/td>\n<td>&#8220;track&#8221;<\/td>\n<td><em>album<\/em><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<td><span style=\"font-size:x-small;\">1:17:07<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Spoken &#038; Audio<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>110<\/strong><\/td>\n<td>Joseph Cotten<\/td>\n<td>&#8220;The Steel Trap&#8221; [AFRS]<\/td>\n<td><em>Lux Radio Theatre<\/em><\/td>\n<td><span style=\"font-size:x-small;\">9\/14\/53<\/span><\/td>\n<td><span style=\"font-size:x-small;\">57:15<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>120<\/strong><\/td>\n<td>CBS Radio Mystery Theater<\/td>\n<td>&#8220;No Hiding Place&#8221;<\/td>\n<td><em>CBS Radio Mystery Theater<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1\/10\/74<\/span><\/td>\n<td><span style=\"font-size:x-small;\">51:24<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>130<\/strong><\/td>\n<td>Jeanne Crain &#038; William Holden<\/td>\n<td>&#8220;Apartment for Peggy&#8221;<\/td>\n<td><em>Lux Radio Theatre<\/em><\/td>\n<td><span style=\"font-size:x-small;\">2\/28\/49<\/span><\/td>\n<td><span style=\"font-size:x-small;\">55:14<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>140<\/strong><\/td>\n<td>Bobby Driscoll<\/td>\n<td>&#8220;Peter Pan&#8221;<\/td>\n<td><em>Lux Radio Theatre<\/em><\/td>\n<td><span style=\"font-size:x-small;\">12\/21\/53<\/span><\/td>\n<td><span style=\"font-size:x-small;\">50:28<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>150<\/strong><\/td>\n<td>Dana Andrews &#038; Steve Forrest<\/td>\n<td>&#8220;One Foot in Heaven&#8221; [AFRS]<\/td>\n<td><em>Lux Radio Theatre<\/em><\/td>\n<td><span style=\"font-size:x-small;\">7\/27\/53<\/span><\/td>\n<td><span style=\"font-size:x-small;\">55:11<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>160<\/strong><\/td>\n<td><\/td>\n<td>&#8220;History of Border Radio &#8211; Part 1&#8221;<\/td>\n<td><em>History Of Border Radio<\/em><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<td><span style=\"font-size:x-small;\">49:47<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Spoken &#038; Audio<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>170<\/strong><\/td>\n<td>Lucille Ball<\/td>\n<td>&#8220;The Dark Corner&#8221;<\/td>\n<td><em>Lux Radio Theatre<\/em><\/td>\n<td><span style=\"font-size:x-small;\">11\/10\/47<\/span><\/td>\n<td><span style=\"font-size:x-small;\">59:21<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>180<\/strong><\/td>\n<td>Ray Milland<\/td>\n<td>&#8220;It Happens Every Spring&#8221;<\/td>\n<td><em>Lux Radio Theatre<\/em><\/td>\n<td><span style=\"font-size:x-small;\">10\/3\/49<\/span><\/td>\n<td><span style=\"font-size:x-small;\">58:36<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>190<\/strong><\/td>\n<td>Church of the SubGenius<\/td>\n<td>&#8220;Hour of Slack #356&#8221;<\/td>\n<td><em>Hour of Slack<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1992<\/span><\/td>\n<td><span style=\"font-size:x-small;\">1:03:07<\/span><\/td>\n<td><span style=\"font-size:x-small;\">SubGenius<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>200<\/strong><\/td>\n<td>Virginia Mayo &#038; John Lund<\/td>\n<td>&#8220;The Iron Mistress&#8221;<\/td>\n<td><em>Lux Radio Theatre<\/em><\/td>\n<td><span style=\"font-size:x-small;\">12\/28\/54<\/span><\/td>\n<td><span style=\"font-size:x-small;\">54:14<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>210<\/strong><\/td>\n<td>Humphrey Bogart &#038; Walter Huston<\/td>\n<td>&#8220;The Treasure of the Sierra Madre&#8221;<\/td>\n<td><em>Lux Radio Theatre<\/em><\/td>\n<td><span style=\"font-size:x-small;\">4\/18\/49<\/span><\/td>\n<td><span style=\"font-size:x-small;\">59:48<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>220<\/strong><\/td>\n<td>NBC University Theater<\/td>\n<td>&#8220;Tono Bungary&#8221;<\/td>\n<td><em>NBC University Theater<\/em><\/td>\n<td><span style=\"font-size:x-small;\">3\/5\/50<\/span><\/td>\n<td><span style=\"font-size:x-small;\">59:31<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>230<\/strong><\/td>\n<td>John Hodiak<\/td>\n<td>&#8220;Somewhere in the Night&#8221; [AFRS]<\/td>\n<td><em>Lux Radio Theatre<\/em><\/td>\n<td><span style=\"font-size:x-small;\">3\/3\/47<\/span><\/td>\n<td><span style=\"font-size:x-small;\">49:38<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>240<\/strong><\/td>\n<td>Tyrone Power<\/td>\n<td>&#8220;Immigration Bill&#8221;<\/td>\n<td><em>Freedom, U.S.A.<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1\/27\/53<\/span><\/td>\n<td><span style=\"font-size:x-small;\">47:09<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>250<\/strong><\/td>\n<td>Roddy McDowall &#038; Preston Foster<\/td>\n<td>&#8220;Thunderhead, Son of Flicka&#8221;<\/td>\n<td><em>Lux Radio Theatre<\/em><\/td>\n<td><span style=\"font-size:x-small;\">2\/25\/46<\/span><\/td>\n<td><span style=\"font-size:x-small;\">59:02<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>260<\/strong><\/td>\n<td>Jane Wyman<\/td>\n<td>&#8220;Devotion&#8221; [AFRS]<\/td>\n<td><em>Lux Radio Theatre<\/em><\/td>\n<td><span style=\"font-size:x-small;\">2\/17\/47<\/span><\/td>\n<td><span style=\"font-size:x-small;\">50:12<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>270<\/strong><\/td>\n<td>Ray Milland &#038; Dorothy McGuire<\/td>\n<td>&#8220;The Winslow Boy&#8221;<\/td>\n<td><em>Lux Radio Theatre<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1\/18\/54<\/span><\/td>\n<td><span style=\"font-size:x-small;\">56:00<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>280<\/strong><\/td>\n<td>Wallace Beery &#038; Margaret O&#8217;Brien<\/td>\n<td>&#8220;Bad Bascombe&#8221;<\/td>\n<td><em>Lux Radio Theatre<\/em><\/td>\n<td><span style=\"font-size:x-small;\">3\/1\/48<\/span><\/td>\n<td><span style=\"font-size:x-small;\">56:39<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>290<\/strong><\/td>\n<td><\/td>\n<td>&#8220;John Kennedy Assassination (Part 3)&#8221;<\/td>\n<td><em>News 1963<\/em><\/td>\n<td><span style=\"font-size:x-small;\">11\/22\/1963<\/span><\/td>\n<td><span style=\"font-size:x-small;\">48:36<\/span><\/td>\n<td><span style=\"font-size:x-small;\">History<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>300<\/strong><\/td>\n<td>Joan Fontaine &#038; Vincent Price<\/td>\n<td>&#8220;Frenchmen&#8217;s Creek&#8221; [AFRS]<\/td>\n<td><em>Lux Radio Theatre<\/em><\/td>\n<td><span style=\"font-size:x-small;\">2\/10\/47<\/span><\/td>\n<td><span style=\"font-size:x-small;\">56:03<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>310<\/strong><\/td>\n<td>Robert Young &#038; Dorothy McGuire<\/td>\n<td>&#8220;The Enchanted Cottage&#8221; [rehearsal]<\/td>\n<td><em>Lux Radio Theatre<\/em><\/td>\n<td><span style=\"font-size:x-small;\">9\/3\/45<\/span><\/td>\n<td><span style=\"font-size:x-small;\">59:34<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>320<\/strong><\/td>\n<td>Edward G. Robinson &#038; Claire Trevor<\/td>\n<td>&#8220;Key Largo&#8221;<\/td>\n<td><em>Lux Radio Theatre<\/em><\/td>\n<td><span style=\"font-size:x-small;\">11\/28\/49<\/span><\/td>\n<td><span style=\"font-size:x-small;\">59:54<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>330<\/strong><\/td>\n<td>Sears Radio Theater<\/td>\n<td>&#8220;Vienna Three and Four&#8221;<\/td>\n<td><em>Sears Radio Theater<\/em><\/td>\n<td><span style=\"font-size:x-small;\">7\/6\/79<\/span><\/td>\n<td><span style=\"font-size:x-small;\">40:07<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>340<\/strong><\/td>\n<td>Sears Radio Theater<\/td>\n<td>&#8220;Milwaukee Deep&#8221;<\/td>\n<td><em>Sears Radio Theater<\/em><\/td>\n<td><span style=\"font-size:x-small;\">5\/11\/79<\/span><\/td>\n<td><span style=\"font-size:x-small;\">50:38<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>350<\/strong><\/td>\n<td>Jerry Garcia Band<\/td>\n<td>&#8220;Little Sadie&#8221;<\/td>\n<td><em>1988-07-09 &#8211; Frost Amphitheatre<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1988<\/span><\/td>\n<td><span style=\"font-size:x-small;\">6:20<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Rock<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>360<\/strong><\/td>\n<td>Rhythm Future Quartet<\/td>\n<td>&#8220;Ornithology&#8221;<\/td>\n<td><em>Jim&#8217;s New Songs for 2016<\/em><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<td><span style=\"font-size:x-small;\">4:29<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Jazz<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>370<\/strong><\/td>\n<td>Lord Haw Haw William Joyce<\/td>\n<td>&#8220;Germany Calling &#8211; Russo-Finnish War Concluded 4\/13\/1940&#8221;<\/td>\n<td><em>News 1940<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1940<\/span><\/td>\n<td><span style=\"font-size:x-small;\">13:02<\/span><\/td>\n<td><span style=\"font-size:x-small;\">History<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>380<\/strong><\/td>\n<td>The Dream Syndicate<\/td>\n<td>&#8220;When You Smile&#8221;<\/td>\n<td><em>1984-12-16 &#8211; Tokyo, Shibuya Kokaido &#8211; Live Tokyo 1984<\/em><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<td><span style=\"font-size:x-small;\">6:32<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Rock<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>390<\/strong><\/td>\n<td>MercyMe<\/td>\n<td>&#8220;House Of God&#8221;<\/td>\n<td><em>Almost There<\/em><\/td>\n<td><span style=\"font-size:x-small;\">2001<\/span><\/td>\n<td><span style=\"font-size:x-small;\">3:13<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Gospel &#038; Religious<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>400<\/strong><\/td>\n<td>Maxine Weldon<\/td>\n<td>&#8220;Lend Me Your Life&#8221;<\/td>\n<td><em>Alone On My Own<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1975<\/span><\/td>\n<td><span style=\"font-size:x-small;\">2:29<\/span><\/td>\n<td><span style=\"font-size:x-small;\">R&#038;B<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>410<\/strong><\/td>\n<td>Hank Williams<\/td>\n<td>[complete show]<\/td>\n<td><em>1952-07-13 &#8211; West Grove, PA, Sunset Grove<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1952<\/span><\/td>\n<td><span style=\"font-size:x-small;\">28:37<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Country<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>420<\/strong><\/td>\n<td>Joan Caufield<\/td>\n<td>&#8220;Dear Ruth&#8221;<\/td>\n<td><em>Lux Radio Theatre<\/em><\/td>\n<td><span style=\"font-size:x-small;\">4\/26\/48<\/span><\/td>\n<td><span style=\"font-size:x-small;\">58:12<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>430<\/strong><\/td>\n<td>Shock<\/td>\n<td>&#8220;No Se Puede Ser Superman&#8221;<\/td>\n<td><em>Andergraun Vibrations! Spanish Hard Psych and Beyond 1970\/1975<\/em><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<td><span style=\"font-size:x-small;\">2:44<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Rock<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>440<\/strong><\/td>\n<td>The Bevis Frond<\/td>\n<td>&#8220;Somewhere Else&#8221;<\/td>\n<td><em>Any Gas Faster<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1990<\/span><\/td>\n<td><span style=\"font-size:x-small;\">3:08<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Rock<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>450<\/strong><\/td>\n<td>Cab Calloway<\/td>\n<td>&#8220;What&#8217;s Buzzin&#8217; Cousin&#8221;<\/td>\n<td><em>Archive.org Collection: Cab Calloway<\/em><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<td><span style=\"font-size:x-small;\">2:40<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Jazz<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>460<\/strong><\/td>\n<td>Lawrence Walker<\/td>\n<td>&#8220;Mamou Two Step&#8221;<\/td>\n<td><em>As Good As It Gets &#8211; Cajun<\/em><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<td><span style=\"font-size:x-small;\">2:26<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Folk<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>470<\/strong><\/td>\n<td>James Kibbie<\/td>\n<td>&#8220;Liebster Jesu, wir sind hier&#8221; BWV706<\/td>\n<td><em>Bach Organ Works &#8211; Individual Chorale Preludes<\/em><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<td><span style=\"font-size:x-small;\">2:22<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Classical<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>480<\/strong><\/td>\n<td>James Kibbie<\/td>\n<td>&#8220;Christ lag in Todes Banden&#8221; BWV718<\/td>\n<td><em>Bach Organ Works &#8211; Individual Chorale Preludes<\/em><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<td><span style=\"font-size:x-small;\">4:40<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Classical<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>490<\/strong><\/td>\n<td>James Kibbie<\/td>\n<td>&#8220;Vater unser im Himmelreich&#8221; BWV737<\/td>\n<td><em>Bach Organ Works &#8211; Individual Chorale Preludes<\/em><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<td><span style=\"font-size:x-small;\">2:05<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Classical<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>500<\/strong><\/td>\n<td>James Kibbie<\/td>\n<td>&#8220;Wir glauben all&#8217; an einen Gott, Sch\u00f6pfer&#8221; BWV765<\/td>\n<td><em>Bach Organ Works &#8211; Individual Chorale Preludes<\/em><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<td><span style=\"font-size:x-small;\">2:41<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Classical<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>510<\/strong><\/td>\n<td>Control Machete<\/td>\n<td>&#8220;De Perros Amores&#8221;<\/td>\n<td><em>Amores Perros (Soundtrack from the Motion Picture)<\/em><\/td>\n<td><span style=\"font-size:x-small;\">2000<\/span><\/td>\n<td><span style=\"font-size:x-small;\">3:53<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Rock<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>520<\/strong><\/td>\n<td>The Barry Gray Orchestra<\/td>\n<td>&#8220;Captain Scarlet&#8221;<\/td>\n<td><em>The Avengers &#038; Other Top Sixties TV Themes<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1967<\/span><\/td>\n<td><span style=\"font-size:x-small;\">1:51<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Soundtrack<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>530<\/strong><\/td>\n<td>Superlitio<\/td>\n<td>&#8220;Santos Sapos Saltarines&#8221;<\/td>\n<td><em>Marciana<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1999<\/span><\/td>\n<td><span style=\"font-size:x-small;\">2:51<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Rock<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>540<\/strong><\/td>\n<td>Bethany Dillon<\/td>\n<td>&#8220;All I Need&#8221;<\/td>\n<td><em>Bethany Dillon<\/em><\/td>\n<td><span style=\"font-size:x-small;\">2004<\/span><\/td>\n<td><span style=\"font-size:x-small;\">3:15<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Gospel &#038; Religious<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>550<\/strong><\/td>\n<td>Nick Lowe<\/td>\n<td>&#8220;Poor Side Of Town&#8221;<\/td>\n<td><em>The Convincer<\/em><\/td>\n<td><span style=\"font-size:x-small;\">2001<\/span><\/td>\n<td><span style=\"font-size:x-small;\">3:51<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Rock<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>560<\/strong><\/td>\n<td><\/td>\n<td>&#8220;Track 09&#8221;<\/td>\n<td><em><\/em><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<td><span style=\"font-size:x-small;\">2:11<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Other<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>570<\/strong><\/td>\n<td>The Band<\/td>\n<td>&#8220;Long Ways To Tennessee&#8221;<\/td>\n<td><em>Tombstone: The Lost Album<\/em><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<td><span style=\"font-size:x-small;\">3:38<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Rock<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>580<\/strong><\/td>\n<td><\/td>\n<td>&#8220;General Construction&#8221;<\/td>\n<td><em>133 Authentic Sound Effects<\/em><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<td><span style=\"font-size:x-small;\">0:36<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Other<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>590<\/strong><\/td>\n<td>Peggy, Barbara, &#038; Penny Seeger<\/td>\n<td>&#8220;It&#8217;s A Lie&#8221;<\/td>\n<td><em>The Three Sisters<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1956<\/span><\/td>\n<td><span style=\"font-size:x-small;\">1:41<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Folk<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>600<\/strong><\/td>\n<td>Urge Overkill<\/td>\n<td>&#8220;View Of The Rain&#8221;<\/td>\n<td><em>Exit The Dragon<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1995<\/span><\/td>\n<td><span style=\"font-size:x-small;\">4:42<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Rock<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>610<\/strong><\/td>\n<td>The Skip Rats<\/td>\n<td>&#8220;I&#8217;m Ready If You&#8217;re Willing&#8221;<\/td>\n<td><em>Music To My Ears<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1995<\/span><\/td>\n<td><span style=\"font-size:x-small;\">2:24<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Rock<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>620<\/strong><\/td>\n<td>Bob Hall<\/td>\n<td>&#8220;Purely for Pleasure&#8221;<\/td>\n<td><em>The Green Hornet<\/em><\/td>\n<td><span style=\"font-size:x-small;\">12\/12\/44<\/span><\/td>\n<td><span style=\"font-size:x-small;\">29:19<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>630<\/strong><\/td>\n<td>The Crystal Method<\/td>\n<td>&#8220;Bound Too Long&#8221;<\/td>\n<td><em>Legion of Boom<\/em><\/td>\n<td><span style=\"font-size:x-small;\">2003<\/span><\/td>\n<td><span style=\"font-size:x-small;\">6:23<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Electronica\/Dance<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>640<\/strong><\/td>\n<td>Thin Lizzy<\/td>\n<td>&#8220;The Boys Are Back In Town&#8221;<\/td>\n<td><em>Dedication &#8211; The Very Best of Thin Lizzy<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1991<\/span><\/td>\n<td><span style=\"font-size:x-small;\">4:29<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Rock<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>650<\/strong><\/td>\n<td>Sears Radio Theater<\/td>\n<td>&#8220;The Joke Is on Guess Who&#8221;<\/td>\n<td><em>Sears Radio Theater<\/em><\/td>\n<td><span style=\"font-size:x-small;\">7\/18\/79<\/span><\/td>\n<td><span style=\"font-size:x-small;\">40:58<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>660<\/strong><\/td>\n<td>Church of the SubGenius<\/td>\n<td>&#8220;Hour of Slack #150 &#8211; SubGenius 101 Introductory Show&#8221;<\/td>\n<td><em>Hour of Slack<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1988<\/span><\/td>\n<td><span style=\"font-size:x-small;\">58:32<\/span><\/td>\n<td><span style=\"font-size:x-small;\">SubGenius<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>670<\/strong><\/td>\n<td>Ronald Colman &#038; Maureen O&#8217;Sullivan<\/td>\n<td>&#8220;Berkeley Square&#8221;<\/td>\n<td><em>Lux Radio Theatre<\/em><\/td>\n<td><span style=\"font-size:x-small;\">12\/18\/44<\/span><\/td>\n<td><span style=\"font-size:x-small;\">59:38<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>680<\/strong><\/td>\n<td>The Beastie Boys<\/td>\n<td>&#8220;Sure Shot&#8221;<\/td>\n<td><em>Ill Communication<\/em><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<td><span style=\"font-size:x-small;\">3:19<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Hip Hop\/Rap<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>690<\/strong><\/td>\n<td>Frank Crumit<\/td>\n<td>&#8220;One Little Raindrop&#8221;<\/td>\n<td><em>Top 100 Classics &#8211; The Very Best of Frank Crumit<\/em><\/td>\n<td><span style=\"font-size:x-small;\">2015<\/span><\/td>\n<td><span style=\"font-size:x-small;\">2:31<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Pop<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>700<\/strong><\/td>\n<td>The Grateful Dead<\/td>\n<td>&#8220;Promised Land&#8221;<\/td>\n<td><em>1973-02-09 &#8211; Maples Pavilion [my tape]<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1972<\/span><\/td>\n<td><span style=\"font-size:x-small;\">3:06<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Rock<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>710<\/strong><\/td>\n<td>Victor Moore<\/td>\n<td>&#8220;It Happened on Fifth Avenue&#8221; [AFRS]<\/td>\n<td><em>Lux Radio Theatre<\/em><\/td>\n<td><span style=\"font-size:x-small;\">5\/19\/47<\/span><\/td>\n<td><span style=\"font-size:x-small;\">50:23<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>720<\/strong><\/td>\n<td>Gigaboy<\/td>\n<td>&#8220;Locoz (Debraye Version)&#8221;<\/td>\n<td><em>Stereo-Sonico [csr062]<\/em><\/td>\n<td><span style=\"font-size:x-small;\">2005<\/span><\/td>\n<td><span style=\"font-size:x-small;\">3:19<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Electronica\/Dance<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>730<\/strong><\/td>\n<td>Pegboy<\/td>\n<td>&#8220;My Youth&#8221;<\/td>\n<td><em>Three-Chord Monte<\/em><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<td><span style=\"font-size:x-small;\">2:43<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Punk<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>740<\/strong><\/td>\n<td>The General Mills Radio Adventure Theater<\/td>\n<td>&#8220;The Last of the Mohicans&#8221;<\/td>\n<td><em>The General Mills Radio Adventure Theater<\/em><\/td>\n<td><span style=\"font-size:x-small;\">4\/9\/77<\/span><\/td>\n<td><span style=\"font-size:x-small;\">39:43<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>750<\/strong><\/td>\n<td>The Ramones<\/td>\n<td>&#8220;I&#8217;m Not An Answer&#8221;<\/td>\n<td><em>Too Tough To Die<\/em><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<td><span style=\"font-size:x-small;\">2:16<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Punk<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>760<\/strong><\/td>\n<td>CBS<\/td>\n<td>&#8220;CBS World News Today 8\/12\/1945&#8221;<\/td>\n<td><em>News 1945<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1945<\/span><\/td>\n<td><span style=\"font-size:x-small;\">25:10<\/span><\/td>\n<td><span style=\"font-size:x-small;\">History<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>770<\/strong><\/td>\n<td>Bob Peck<\/td>\n<td>&#8220;Sweet Sixteen&#8221;<\/td>\n<td><em>Songs That Never Made The Hymnal<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1955<\/span><\/td>\n<td><span style=\"font-size:x-small;\">2:03<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Novelty<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>780<\/strong><\/td>\n<td>Jethro Tull<\/td>\n<td>&#8220;Cross-eyed Mary&#8221;<\/td>\n<td><em>Bursting Out<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1978<\/span><\/td>\n<td><span style=\"font-size:x-small;\">3:56<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Rock<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>790<\/strong><\/td>\n<td><\/td>\n<td>&#8220;School Bell or Town Crier Bell&#8221;<\/td>\n<td><em>133 Authentic Sound Effects<\/em><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<td><span style=\"font-size:x-small;\">0:25<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Other<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>800<\/strong><\/td>\n<td>Dr. Feelgood<\/td>\n<td>&#8220;I&#8217;m a Man&#8221;<\/td>\n<td><em>Stupidity<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1976<\/span><\/td>\n<td><span style=\"font-size:x-small;\">5:10<\/span><\/td>\n<td><span style=\"font-size:x-small;\">R&#038;B<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>810<\/strong><\/td>\n<td>Mr. F. Le Mur<\/td>\n<td>&#8220;HOS Intro #808 &#8211; A Place Of Ivan&#8221;<\/td>\n<td><em>13013 &#8211; HOS Intros<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1953<\/span><\/td>\n<td><span style=\"font-size:x-small;\">0:21<\/span><\/td>\n<td><span style=\"font-size:x-small;\">SubGenius<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>820<\/strong><\/td>\n<td>Joan Blondell &#038; Paul Lukas<\/td>\n<td>&#8220;Deadline at Dawn&#8221;<\/td>\n<td><em>Lux Radio Theatre<\/em><\/td>\n<td><span style=\"font-size:x-small;\">5\/20\/46<\/span><\/td>\n<td><span style=\"font-size:x-small;\">57:33<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>830<\/strong><\/td>\n<td>Ilegales<\/td>\n<td>&#8220;Sigan bailando&#8221;<\/td>\n<td><em>Ilegales<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1995<\/span><\/td>\n<td><span style=\"font-size:x-small;\">4:32<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Latin<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>840<\/strong><\/td>\n<td>Pablo Casals &#038; Nikolai Mednikoff<\/td>\n<td>&#8220;Nocturne in E-Flat, Op. 9, No. 2&#8221;<\/td>\n<td><em>The Early Recordings 1925-1928<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1972<\/span><\/td>\n<td><span style=\"font-size:x-small;\">4:37<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Classical<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>850<\/strong><\/td>\n<td>Dorothy McGuire<\/td>\n<td>&#8220;Mother Didn&#8217;t Tell Me&#8221; [AFRS]<\/td>\n<td><em>Lux Radio Theatre<\/em><\/td>\n<td><span style=\"font-size:x-small;\">11\/16\/54<\/span><\/td>\n<td><span style=\"font-size:x-small;\">53:15<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>860<\/strong><\/td>\n<td>Lil&#8217; Markie<\/td>\n<td>&#8220;Medley: B-O-R-N A-G-A-I-N\/For God So Loved The World&#8221;<\/td>\n<td><em>Music To Serve The Lord By<\/em><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<td><span style=\"font-size:x-small;\">2:26<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Gospel &#038; Religious<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>870<\/strong><\/td>\n<td><\/td>\n<td>&#8220;Battle of Midway Island 6\/7\/1942&#8221;<\/td>\n<td><em>News 1942<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1942<\/span><\/td>\n<td><span style=\"font-size:x-small;\">20:12<\/span><\/td>\n<td><span style=\"font-size:x-small;\">History<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>880<\/strong><\/td>\n<td>Toots &#038; The Maytals<\/td>\n<td>&#8220;Funky Kingston&#8221;<\/td>\n<td><em>Reggae Greats<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1997<\/span><\/td>\n<td><span style=\"font-size:x-small;\">3:30<\/span><\/td>\n<td><span style=\"font-size:x-small;\">World<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>890<\/strong><\/td>\n<td>Rex Harrison &#038; Irene Dunne<\/td>\n<td>&#8220;Anna and the King of Siam&#8221;<\/td>\n<td><em>Lux Radio Theatre<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1\/20\/47<\/span><\/td>\n<td><span style=\"font-size:x-small;\">57:47<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>900<\/strong><\/td>\n<td>Kyle Jason<\/td>\n<td>&#8220;Leave This World&#8221;<\/td>\n<td><em>SLAMJamz Records<\/em><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<td><span style=\"font-size:x-small;\">2:22<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Hip Hop\/Rap<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>910<\/strong><\/td>\n<td>Johann Sebastian Bach<\/td>\n<td>&#8220;Brandenburg Concertos No. 5 in D major (Allegro)&#8221; BWV1050<\/td>\n<td><em>Golden Classics &#8211; Bach: Brandenburg Concertos<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1992<\/span><\/td>\n<td><span style=\"font-size:x-small;\">5:39<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Classical<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>920<\/strong><\/td>\n<td>Joni Mitchell<\/td>\n<td>&#8220;Big Yellow Taxi&#8221;<\/td>\n<td><em>Ladies of the Canyon<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1970<\/span><\/td>\n<td><span style=\"font-size:x-small;\">2:14<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Pop<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>930<\/strong><\/td>\n<td>CBS Radio Mystery Theater<\/td>\n<td>&#8220;Honeymoon With Death&#8221;<\/td>\n<td><em>CBS Radio Mystery Theater<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1\/11\/74<\/span><\/td>\n<td><span style=\"font-size:x-small;\">44:31<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Radio Show<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>940<\/strong><\/td>\n<td>Chocolate Milk<\/td>\n<td>&#8220;Girl Callin'&#8221;<\/td>\n<td><em>We&#8217;re All in This Together<\/em><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<td><span style=\"font-size:x-small;\">5:30<\/span><\/td>\n<td><span style=\"font-size:x-small;\">R&#038;B<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>950<\/strong><\/td>\n<td>Powder Monkeys<\/td>\n<td>&#8220;Ugly&#8221;<\/td>\n<td><em>Smashed On A Knee<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1993<\/span><\/td>\n<td><span style=\"font-size:x-small;\">3:59<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Punk<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>960<\/strong><\/td>\n<td>Radio Birdman<\/td>\n<td>&#8220;American Ruse&#8221;<\/td>\n<td><em>Rock&#8217;n&#8217;Roll War<\/em><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<td><span style=\"font-size:x-small;\">2:42<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Rock<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>970<\/strong><\/td>\n<td><\/td>\n<td>&#8220;Hoot Owl (cont.)&#8221;<\/td>\n<td><em>133 Authentic Sound Effects<\/em><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<td><span style=\"font-size:x-small;\">0:11<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Other<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>980<\/strong><\/td>\n<td>Booker T. &#038; The MG&#8217;s<\/td>\n<td>&#8220;Can&#8217;t Be Still&#8221;<\/td>\n<td><em>Best of Booker T. and The MG&#8217;s<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1989<\/span><\/td>\n<td><span style=\"font-size:x-small;\">2:00<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Rock<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>990<\/strong><\/td>\n<td>Dick Robertson<\/td>\n<td>&#8220;We Did It Before (And We Can Do It Again)&#8221;<\/td>\n<td><em>Decca 4117<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1941<\/span><\/td>\n<td><span style=\"font-size:x-small;\">2:28<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Pop<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>1000<\/strong><\/td>\n<td>Jerry Garcia Band<\/td>\n<td>&#8220;Knockin&#8217; On Heaven&#8217;s Door&#8221;<\/td>\n<td><em>1977-07-02 &#8211; Palo Alto, CA<\/em><\/td>\n<td><span style=\"font-size:x-small;\">1977<\/span><\/td>\n<td><span style=\"font-size:x-small;\">18:49<\/span><\/td>\n<td><span style=\"font-size:x-small;\">Rock<\/span><\/td>\n<td><span style=\"font-size:x-small;\"><\/span><\/td>\n<\/tr>\n<\/table>\n<p style=\"padding-left: 30px; padding-right: 30px;\"><span style=\"font-size: small;\">\u2020The numbering here is &#8220;up to&#8221; the 101,000th song, thus negative count numbers are shown for those tracks which got &#8220;pushed down&#8221; below the 100k mark, due to those forces mentioned in the opening section of this post. To get the current track count simply add 100,000.<\/span><\/p>\n<h2>Envoi<\/h2>\n<p class=\"prose\">See you next time! (Very soon, as I&#8217;m less than 75 tracks before the next 1k are heard!)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Once again, data about the last 1,000 (one thousand plus; see below) songs I listened to, which brought my total number of iTunes tracks heard up to 101,000. Purview We consider the songs heard since I hit one hundred thousand up through those which brought my total up to 101,000. Due to a new methodology, &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/educatedguesswork.com\/?p=981\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The Last 1k+ (101,000)&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[82],"tags":[84],"class_list":["post-981","post","type-post","status-publish","format-standard","hentry","category-audio","tag-itunes","entry"],"_links":{"self":[{"href":"https:\/\/educatedguesswork.com\/index.php?rest_route=\/wp\/v2\/posts\/981","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/educatedguesswork.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/educatedguesswork.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/educatedguesswork.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/educatedguesswork.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=981"}],"version-history":[{"count":0,"href":"https:\/\/educatedguesswork.com\/index.php?rest_route=\/wp\/v2\/posts\/981\/revisions"}],"wp:attachment":[{"href":"https:\/\/educatedguesswork.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=981"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/educatedguesswork.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=981"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/educatedguesswork.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=981"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}