One Hundred and Three Thousand Songs (Captain’s log, supplemental)

I listened to my 103,000th unique iTunes track a little while ago — on January 9 — but have not until this moment posted the news, due to fatigue, lack of time, and a realization of unimportance. Track number 103,000 was the 1947 Green Hornet episode, “City Hall Shakeup”, which originally aired on July 15 of that year, if the information from The Interwebs is to be trusted.

I have to provide a caveat for the following data, which is suspect and must have an asterisk forever associated with it due to the fact that I did not collect the information at the time, but have tried to recreate it from the numbers currently at my disposal. Changes to the underlying dataset (such as the deletion or later addition of iTunes files) may have changed the actual numbers which would have been extracted a week ago when the minor milestone immortalized in this post was actually achieved. In fact, it is almost certain that these numbers are (slightly) inaccurate, as I’ve added a few files in the meanwhile, including the Star Blazers theme song.

Given the caveat above, 103,000 unique tracks comprises 743.87 GB of data, with a total duration of 346 days, 4 hours, 56 minutes, and 6 seconds (ignoring multiple plays). My iTunes collection seems to have had 87,343 items left unplayed — 703 less tracks than the last milestone, for a net gain of 297 tracks. The unplayed tracks take up 654.48 GB of data (↓ 9.9GB) with a playing time of 417 days, 11 hours, 59 minutes, and 49 seconds (↓ 17 days).

The delta between played total time of tracks vs. unplayed time (my primary concern at the moment; see my latest post) comes in at a deficit just over 71.3 days, an almost 30 day clawback.

To add another 1,000 tracks to my grand total, 1,323 tracks were played. The higher number is due both to changes mentioned in my last iTunes tracking analysis post, as well as work done on my cousins’ CD (also known as torture for ears).

More detailed analysis to come, and I still have to finish the 102K analysis (which is currently underway), and I still need to put the entire first 100K under the microscope.

200 Books (Not really) [UPDATED]

NOTE: Due to recently (5 July 2018) discovered errors in underlying data, some statements in this post are incorrect. The original post is preserved, with new corrected information presented in monospace font. More information can be found in this blog post.

Yesterday I finished my 200th book since recording such info starting in June of 2015. Actually, as I have mentioned before, I cannot take full credit for reading quite so many books, for the primary reason that many/several/some of the so-called ‘books’ were simply comic books, and hence took but an matter of moments to ‘read’. So I eschew them from my ‘official’ count.

Still, it remains a fact that I have finished 200 works of some stripe or another in the past two-and-a-half-plus years. The ‘200th’ work (in this asterisked account) was, as may be guessed from the accompanying image, Jane Austen’s novel of romance deferred, the 1816 work Persuasion.

Actual 200th work read was The Castle of Llyr by Lloyd Alexander, his fantasy retelling of Welsh legends for readers young in heart or young in age. Due to other technical issues, the Austen novel referenced above is actually #203 in the list of all books read since commencing this pointless book tracking project.

I next plan to read an actual comic book — and thus get no closer to the next hundred in the ‘official’ count (which currently stands at 164) — which lately fell to hand when I was demonstrating the change in printing technique and paper which led to the art that pops from the modern comics. I leave you with the image of that book, and hope you, too, enjoy the opportunity to read about the world’s most unusual superhero, the Badger.

One Hundred and Two Thousand (102,000)

Just listened to my 102,000th unique iTunes track, John Cale’s “Fairweather Friend” from his 1970 album Vintage Violence.

102,000 unique tracks comprises 731.52 GB of data, with a total duration of 332 days, 10 hours, 24 minutes, and 27 seconds (ignoring multiple plays). My iTunes collection still has 88,046 items left unplayed — 713 more tracks than the last milestone, for a net gain of 1713 tracks. The unplayed tracks take up 654.48 GB of data (↓ 1.1GB – a drastic decline in the decline) with a playing time of 434 days, 11 hours, 25 minutes, and 12 seconds (↓ 6 days).

The delta between played total time of tracks vs. unplayed time (my primary concern at the moment; see my latest post) comes in at a deficit just over 101 days.

To add another 1,000 tracks to my grand total, 1,083 tracks were played.

More detailed analysis to come, and I still need to put the entire first 100K under the microscope.

The Last 1k+ (101,000)

Once again, data about the last 1,000 (one thousand plus; see below) songs I listened to, which brought my total number of iTunes tracks heard up to 101,000.

Sing Me A Song Of The Swingin' '40s

Purview

We consider the songs heard since I hit one hundred thousand up through those which brought my total up to 101,000. Due to a new methodology, this made up more than 1,000 tracks — specifically, 1,043 items. These pieces were played through iTunes from June 9th to September 6, 2017.

New Methodology

The Problem

One issue I’ve alluded to before is the fact that as I’ve listened to each new thousand tracks, more than 1,000 tracks may be heard. This is because any song previously listened to which is heard again doesn’t contribute to the number of unique songs heard, but does add to the total number of tracks played over a given period of time. Additionally, any such old song heard may ‘push out’ a newly played track from a given set of the ‘last X’ of songs.

For example, if I’ve listened to 45 songs, and want to consider the last five songs listened to when I hit 50 unique tracks, I can envision the songs 41 through 45 thusly:

I then listen to four more brand new songs, bringing the total number of unique tracks up to 49.

At this point I listen to “Song A” again, which had previously been #41 — maybe I’m listening to my music on Random play, maybe I just like “Song A”.

But now “Song A” is #49 in my recently played accounting (it isn’t #50 because this song has been heard before, so doesn’t add to the total, just displaces previous ordering), and “Song E” becomes #44, though it had been #45 before. Thus when an entirely new song — “Song J” — is heard, if we only consider the most recent 5 tracks played bringing the total up to fifty, “Song F” is ignored, as this track which was once #46 is now #45.

Thus the “last x” songs may ignore newly played songs when previously played songs are heard again.

The Solution

To give a complete view of the most recently played tracks, therefore, we will consider the entirety of songs played since the last song mentioned in the previous review. We may end up looking at tracks we’ve seen before, but we will also have a more complete picture of the actual sounds heard through iTunes during the most recent addition of one thousand new tracks to the complete set of heard files.

New Problems

This new methodology means that the various percentages obtained are no longer immediately obvious from the absolute numbers involved. We must also consider whether to examine statistics for just the new songs or for the entire set. This we shall do on a case-by-case basis.

Overview

Given this new methodology, the first thing to be noted is that we shall consider 1,043 songs, as this is the number of tracks heard since the one hundred thousandth was played until 101,000 songs were played.

1,043 Songs Played

Of these 1,043 songs, 1,024 were heard for the first time.

We can no longer speak of “changes” to the conditions of my material life, as these changes now appear to have semi-permanent status. We will therefore not speak of these again. However, the effects of this unspoken continue unabated, and once again Radio Shows make up the plurality of the 1,000+ songs, although they do not preponderate this time: Almost 39% of all tracks played are Radio Shows.

38.93% of all tracks played were Radio Shows

To repeat, these 1,043 tracks were played between June 9th and September 6, 2017, a total of 89 days. Thus not quite 12 songs were played per day.

11.7 Songs played per Day

The total amount of time taken to play these 1k+ songs was 19 days, 19 hours, 52 minutes, and 45 seconds.

Total Time of Tracks: 19 Days, 19 Hours, 52 Minutes, and 45 Seconds

Since these songs were played over a stretch of 89 days, and given the total length of time of all played tracks above, this means that over 22% of this 89-day period was spent listening to iTunes in one way or another. This is a substantial reduction in the time per day listening to music, which corresponds to a substantial reduction in the material conditions of my life. (Darn, I wasn’t going to mention that….)

22.3% of Each Day spent listening to iTunes

or

5 hours, 20.8 minutes per day Listening to Stuff

Details

Genres

The data shows the prevalence of Radio Shows in my recent listening. Here is a chart, broken down by genre, showing what was included in these one thousand tracks:

And here is a table showing those genres which each provided over 1% of the total number of tracks played:

Songs Played by Genre

Radio Show 406 38.9%
Rock 167 16%
SubGenius 60 5.75%
Classical 55 5.27%
Pop 41 3.93%
History 39 3.74%
Jazz 30 2.88%
Spoken & Audio 30 2.88%
World 24 2.30%
Gospel & Religioius 21 2.01%
Alternative 16 1.53%
Folk 16 1.53%
R&B 16 1.53%
Electronica/Dance 15 1.44%
Other 15 1.44%
Latin 14 1.34%
Novelty 14 1.34%
Punk 14 1.34%
Hip Hop/Rap 13 1.25%
Country 12 1.15%

All the rest of tracks played make up 2.4% of the total.

But once again the prevalence of Radio Shows is even greater than shown by this first view, since the average radio show is longer than most popular songs. If we inspect the tracks played with respect to their duration we discover that the Radio Show genre actually makes up just under 3/4 of the total.

74.17% of Listening Time devoted to Radio Shows

Here’s the chart:

And here’s the table of those genres contributing over 1% of the total time played:

Genre of Tracks Played by Time

Radio Show 74.17% 14d 16h 57m 4s
SubGenius 11.71% 2d 7h 43m 39s
History  3.73% 17h 46m 7s
Rock  2.57% 12h 14m 43s
Spoken & Audio  2.48% 11h 48m 13s
Gospel & Religious  1.20% 5h 43m 36s

Technically speaking, the SubGenius genre could be folded in with the Radio Shows, as this genre comprises for the most part the early broadcasts of The Hour of Slack, back when these aired over KNON in Dallas, Texas. (Now, of course, the church uses podcasts to spread its message, such as it is. (Although a 21st-century re-devival may be inaugurated if the new SubGenius documentary Slacking Towards Bethlehem reaches its Kickstarter goal. (Pledge now!))) If this were done, the total time for Radio Shows would rise to just under 86%, and the number of tracks would be 44.65%. I’m keeping these separate, however.

Both genres, however, averaged over fifty minutes per cut, which led to an average length for played tracks of twenty-seven minutes and twenty-three seconds. This represents a small decline in the average from the last thousand tracks, being a minute and one second less.

Average length of played tracks: 27:22.5

The longest tracks were much longer this time around, even though the total average was similar. The longest average belonged to the SubGenius shows, just below an hour at fifty-five minutes and forty-four seconds (55:43.7). Radio shows had the next longest average, at fifty-two minutes and ten seconds (52:09.6). Three other Genres averaged over ten minutes: History (27:20.2), Spoken & Audio (23:36.4), and Gospel & Religious (16:21.7 — this genre averaged so high because I listened to some the lengthiest suras from The Holy Quran).

Average Length of Tracks by Genre

SubGenius (60 tracks) 55:43.7
Radio Show (406 tracks) 52:09.6
History (39 tracks) 27:20.2
Spoken & Audio (30 tracks) 23:36.4
Gospel & Religious (21 tracks) 16:21.7
Electronica/Dance (15 tracks)  6:12.3
Country (12 tracks)  4:56.4
Folk (16 tracks)  4:54
Rock (167 tracks)  4:24.0
Jazz (30 tracks)  4:18.8
R&B (16 tracks)  4:11.3
Alternative (16 tracks)  4:10.4
Latin (14 tracks)  3:56.6
Hip Hop/Rap (13 tracks)  3:50.8
World (24 tracks)  3:44.7
Pop (41 tracks)  3:26.6
Classical (55 tracks)  3:14.1
Punk (14 tracks)  2:50.2
Other (15 tracks)  2:44.8
Novelty (14 tracks)  2:28

Perhaps the biggest surprise is the short average for the Classical genre, which one thinks of as having longer movements.

Albums

Once again the Radio Show ‘albums’ contribute a large number of the tracks, and the major contributor from the last thousand supplied even more this time around. This was the Lux Radio Theatre, which provided nearly two hundred tracks (196). Besides the SubGenius Hour of Slack, another non-radio album gave over forty tracks to the cause, James Kibble’s rendition of Bach‘s Chorale Preludes for organ. In all, 9 albums had ten or more tracks played, and those 9 accounted for 443 (of 1043) tracks played.

9 albums provided 443 tracks (42.5%)

Rounding out the 9 albums mentioned above, two more non-radio albums appear, a 1988 Frost Amphitheatre show by Jerry Garcia, and a mediocre Christian Rock album — which went double platinum and was the 4th best selling Christian album of the 2000s — Almost There by MercyMe.

Lux Radio Theatre 196 tracks
Hour of Slack 54
Sears Radio Theater 53
NBC University Theater 46
Bach Organ Works – Individual Chorale Preludes 41
The General Mills Radio Adventure Theater 16
CBS Radio Mystery Theater 14
1988-07-09 – Frost Amphitheatre 13
Almost There 10

Artists

Except those shows and musicians mentioned earlier, only one artist breaks into the most played list with more than ten tracks — Columbia recording artist, Bob Dylan. He appears 29 times.

Songs

Almost the entirety of these 1,043 tracks were played for the first time. Only 19 songs had been played more than once, for a total of 61 plays. Of these, Led Zeppelin’s “The Rain Song” and The Honeydrippers’s cover of “Sea of Love” have been played the most, with both tracks racking up eight plays apiece.

Only three other songs among these with repeated plays were played more than twice: “The Blues Are Still Blue” by Belle & Sebastian and the Star Trek theme with Shatner’s voiceover auf Deutsch (both played 7 times), and the chant of a Pokot witch doctor from the album Kenya & Tanzania: Witchcraft & Ritual Music (played thrice).

The shortest track was only 8 seconds long, an Hour of Slack intro created by Mr. F. Le Mur. The longest track lasted two hours, thirty minutes and forty-six seconds; this was “Face of the Foe”, a week-long radio drama, from the series Zero Hour hosted by Rod Serling, which originally aired in 1973. The song closest to the average length (the median) was “The Lily of St Pierre” from the 1940’s radio program The Damon Runyon Theatre which clocks in at twenty-seven minutes and nineteen seconds.

Review

The average rating for all 1,000+ tracks was 3-1/2 stars. Once again, this is lower than usual for my rated items.

One of the reasons for the lengthier tracks in this last set of songs is my desire to make up for the deficit in tracks played by total time. I had achieved the goal of having played half of my iTunes collection whether looked at from number of tracks, total time of all songs, or amount of data occupied by all of the files. With the introduction of a significant set of radio shows into my collection, I no longer can claim to have listened to half my collection — at least not in terms of total time of all tracks (I have still heard more than half the tracks by total number and total file size). Though almost twenty days of iTunes were listened to in this last 1000+, only sixteen days (and ten hours) were gained towards the halfway point, due to additions to my collection since the last report. At the time of the 101,000th song play, the differential between played and unplayed tracks amounted to 120 days, 5 hours, 11 minutes, 37 seconds (321 days, 9 hours, 15 minutes, and 56 seconds [played] vs. 441 days, 4 hours, 4 minutes, and 19 seconds [unplayed]). If no other tracks are added or deleted (which is already not true), I’d need to listen to just half this amount to reach the halfway point. Thus:

60 days, 2-1/2 hours of listening to reach the halfway point

Besides the radio shows I’ve previously named as worth checking out, I’d like to add Stand By For Crime. (Trigger Warning: blatant sexism)

Another radio show which deserves your especial attention is Freedom, U.S.A., which follows Senator Dean Edwards (played by Tyrone Power) as he defends the U.S. Constitution, ferrets out mal- and misfeasance, and protects freedom — not just in the good ol’ U.S. of A., but around the entire world. The program is an audible, laudable civics lesson, hearkening back to an earlier age when words had meanings and communication was still possible.*

*But see Rebecca West’s “There Is No Conversation” for a contrasting viewpoint (several, in fact).

(Now standard procrastinatory disclaimer paragraph)

I still hope to make an analysis of the full set of my first 100,000 songs. But I do not doubt that …. Blah, blah, blah, blah….

Here is another 10% sample of these last one thousand songs:

Every Tenth Track of One Thousand (plus!) Tracks

#† Artist Name Album Date Time Genre
-40 “Pokot Witch Doctor” Kenya & Tanzania: Witchcraft & Ritual Music 1975 3:09 Folk
-30 Frank Lovejoy “Zero” Night Beat 2/6/50 30:23 Radio Show
-20 Ray Bourbon “Strong, Solid, Sensational” Top 50 Classics – The Very Best of Ray Bourbon 2015 3:19 Novelty
-10 Space Patrol “Revenge of Dr Yeager” Space Patrol 2/13/54 28:48 Radio Show
0 Words At War “Apartment In Athens” Words At War 4/10/45 28:19 Radio Show
10 John Dehner “Heyboy’s Revenge” Have Gun, Will Travel 3/1/59 25:04 Radio Show
20 Space Patrol “The Tattooed Atom” Space Patrol 6/12/54 29:15 Radio Show
30 Bette Grable & Dan Dailey “Mother Wore Tights” Lux Radio Theatre 11/14/49 58:15 Radio Show
40 Judy Garland & Hans Conried “The Wizard of Oz” Lux Radio Theatre 12/25/50 59:46 Radio Show
50 Barry Fitzgerald “Top O’ the Morning” Lux Radio Theatre 3/17/52 58:33 Radio Show
60 Olivia de Haviland “The Heiress” Lux Radio Theatre 9/11/50 52:25 Radio Show
70 Church of the SubGenius “Hour of Slack #342 – Will O’ Dobbs filling in for Stang” Hour of Slack 1992 1:02:01 SubGenius
80 Sears Radio Theater “Hizzoner Hamlet” Sears Radio Theater 4/17/79 51:05 Radio Show
90 NBC University Theater “The Ides Of March” NBC University Theater 1/15/50 59:28 Radio Show
100 artist “track” album 1:17:07 Spoken & Audio
110 Joseph Cotten “The Steel Trap” [AFRS] Lux Radio Theatre 9/14/53 57:15 Radio Show
120 CBS Radio Mystery Theater “No Hiding Place” CBS Radio Mystery Theater 1/10/74 51:24 Radio Show
130 Jeanne Crain & William Holden “Apartment for Peggy” Lux Radio Theatre 2/28/49 55:14 Radio Show
140 Bobby Driscoll “Peter Pan” Lux Radio Theatre 12/21/53 50:28 Radio Show
150 Dana Andrews & Steve Forrest “One Foot in Heaven” [AFRS] Lux Radio Theatre 7/27/53 55:11 Radio Show
160 “History of Border Radio – Part 1” History Of Border Radio 49:47 Spoken & Audio
170 Lucille Ball “The Dark Corner” Lux Radio Theatre 11/10/47 59:21 Radio Show
180 Ray Milland “It Happens Every Spring” Lux Radio Theatre 10/3/49 58:36 Radio Show
190 Church of the SubGenius “Hour of Slack #356” Hour of Slack 1992 1:03:07 SubGenius
200 Virginia Mayo & John Lund “The Iron Mistress” Lux Radio Theatre 12/28/54 54:14 Radio Show
210 Humphrey Bogart & Walter Huston “The Treasure of the Sierra Madre” Lux Radio Theatre 4/18/49 59:48 Radio Show
220 NBC University Theater “Tono Bungary” NBC University Theater 3/5/50 59:31 Radio Show
230 John Hodiak “Somewhere in the Night” [AFRS] Lux Radio Theatre 3/3/47 49:38 Radio Show
240 Tyrone Power “Immigration Bill” Freedom, U.S.A. 1/27/53 47:09 Radio Show
250 Roddy McDowall & Preston Foster “Thunderhead, Son of Flicka” Lux Radio Theatre 2/25/46 59:02 Radio Show
260 Jane Wyman “Devotion” [AFRS] Lux Radio Theatre 2/17/47 50:12 Radio Show
270 Ray Milland & Dorothy McGuire “The Winslow Boy” Lux Radio Theatre 1/18/54 56:00 Radio Show
280 Wallace Beery & Margaret O’Brien “Bad Bascombe” Lux Radio Theatre 3/1/48 56:39 Radio Show
290 “John Kennedy Assassination (Part 3)” News 1963 11/22/1963 48:36 History
300 Joan Fontaine & Vincent Price “Frenchmen’s Creek” [AFRS] Lux Radio Theatre 2/10/47 56:03 Radio Show
310 Robert Young & Dorothy McGuire “The Enchanted Cottage” [rehearsal] Lux Radio Theatre 9/3/45 59:34 Radio Show
320 Edward G. Robinson & Claire Trevor “Key Largo” Lux Radio Theatre 11/28/49 59:54 Radio Show
330 Sears Radio Theater “Vienna Three and Four” Sears Radio Theater 7/6/79 40:07 Radio Show
340 Sears Radio Theater “Milwaukee Deep” Sears Radio Theater 5/11/79 50:38 Radio Show
350 Jerry Garcia Band “Little Sadie” 1988-07-09 – Frost Amphitheatre 1988 6:20 Rock
360 Rhythm Future Quartet “Ornithology” Jim’s New Songs for 2016 4:29 Jazz
370 Lord Haw Haw William Joyce “Germany Calling – Russo-Finnish War Concluded 4/13/1940” News 1940 1940 13:02 History
380 The Dream Syndicate “When You Smile” 1984-12-16 – Tokyo, Shibuya Kokaido – Live Tokyo 1984 6:32 Rock
390 MercyMe “House Of God” Almost There 2001 3:13 Gospel & Religious
400 Maxine Weldon “Lend Me Your Life” Alone On My Own 1975 2:29 R&B
410 Hank Williams [complete show] 1952-07-13 – West Grove, PA, Sunset Grove 1952 28:37 Country
420 Joan Caufield “Dear Ruth” Lux Radio Theatre 4/26/48 58:12 Radio Show
430 Shock “No Se Puede Ser Superman” Andergraun Vibrations! Spanish Hard Psych and Beyond 1970/1975 2:44 Rock
440 The Bevis Frond “Somewhere Else” Any Gas Faster 1990 3:08 Rock
450 Cab Calloway “What’s Buzzin’ Cousin” Archive.org Collection: Cab Calloway 2:40 Jazz
460 Lawrence Walker “Mamou Two Step” As Good As It Gets – Cajun 2:26 Folk
470 James Kibbie “Liebster Jesu, wir sind hier” BWV706 Bach Organ Works – Individual Chorale Preludes 2:22 Classical
480 James Kibbie “Christ lag in Todes Banden” BWV718 Bach Organ Works – Individual Chorale Preludes 4:40 Classical
490 James Kibbie “Vater unser im Himmelreich” BWV737 Bach Organ Works – Individual Chorale Preludes 2:05 Classical
500 James Kibbie “Wir glauben all’ an einen Gott, Schöpfer” BWV765 Bach Organ Works – Individual Chorale Preludes 2:41 Classical
510 Control Machete “De Perros Amores” Amores Perros (Soundtrack from the Motion Picture) 2000 3:53 Rock
520 The Barry Gray Orchestra “Captain Scarlet” The Avengers & Other Top Sixties TV Themes 1967 1:51 Soundtrack
530 Superlitio “Santos Sapos Saltarines” Marciana 1999 2:51 Rock
540 Bethany Dillon “All I Need” Bethany Dillon 2004 3:15 Gospel & Religious
550 Nick Lowe “Poor Side Of Town” The Convincer 2001 3:51 Rock
560 “Track 09” 2:11 Other
570 The Band “Long Ways To Tennessee” Tombstone: The Lost Album 3:38 Rock
580 “General Construction” 133 Authentic Sound Effects 0:36 Other
590 Peggy, Barbara, & Penny Seeger “It’s A Lie” The Three Sisters 1956 1:41 Folk
600 Urge Overkill “View Of The Rain” Exit The Dragon 1995 4:42 Rock
610 The Skip Rats “I’m Ready If You’re Willing” Music To My Ears 1995 2:24 Rock
620 Bob Hall “Purely for Pleasure” The Green Hornet 12/12/44 29:19 Radio Show
630 The Crystal Method “Bound Too Long” Legion of Boom 2003 6:23 Electronica/Dance
640 Thin Lizzy “The Boys Are Back In Town” Dedication – The Very Best of Thin Lizzy 1991 4:29 Rock
650 Sears Radio Theater “The Joke Is on Guess Who” Sears Radio Theater 7/18/79 40:58 Radio Show
660 Church of the SubGenius “Hour of Slack #150 – SubGenius 101 Introductory Show” Hour of Slack 1988 58:32 SubGenius
670 Ronald Colman & Maureen O’Sullivan “Berkeley Square” Lux Radio Theatre 12/18/44 59:38 Radio Show
680 The Beastie Boys “Sure Shot” Ill Communication 3:19 Hip Hop/Rap
690 Frank Crumit “One Little Raindrop” Top 100 Classics – The Very Best of Frank Crumit 2015 2:31 Pop
700 The Grateful Dead “Promised Land” 1973-02-09 – Maples Pavilion [my tape] 1972 3:06 Rock
710 Victor Moore “It Happened on Fifth Avenue” [AFRS] Lux Radio Theatre 5/19/47 50:23 Radio Show
720 Gigaboy “Locoz (Debraye Version)” Stereo-Sonico [csr062] 2005 3:19 Electronica/Dance
730 Pegboy “My Youth” Three-Chord Monte 2:43 Punk
740 The General Mills Radio Adventure Theater “The Last of the Mohicans” The General Mills Radio Adventure Theater 4/9/77 39:43 Radio Show
750 The Ramones “I’m Not An Answer” Too Tough To Die 2:16 Punk
760 CBS “CBS World News Today 8/12/1945” News 1945 1945 25:10 History
770 Bob Peck “Sweet Sixteen” Songs That Never Made The Hymnal 1955 2:03 Novelty
780 Jethro Tull “Cross-eyed Mary” Bursting Out 1978 3:56 Rock
790 “School Bell or Town Crier Bell” 133 Authentic Sound Effects 0:25 Other
800 Dr. Feelgood “I’m a Man” Stupidity 1976 5:10 R&B
810 Mr. F. Le Mur “HOS Intro #808 – A Place Of Ivan” 13013 – HOS Intros 1953 0:21 SubGenius
820 Joan Blondell & Paul Lukas “Deadline at Dawn” Lux Radio Theatre 5/20/46 57:33 Radio Show
830 Ilegales “Sigan bailando” Ilegales 1995 4:32 Latin
840 Pablo Casals & Nikolai Mednikoff “Nocturne in E-Flat, Op. 9, No. 2” The Early Recordings 1925-1928 1972 4:37 Classical
850 Dorothy McGuire “Mother Didn’t Tell Me” [AFRS] Lux Radio Theatre 11/16/54 53:15 Radio Show
860 Lil’ Markie “Medley: B-O-R-N A-G-A-I-N/For God So Loved The World” Music To Serve The Lord By 2:26 Gospel & Religious
870 “Battle of Midway Island 6/7/1942” News 1942 1942 20:12 History
880 Toots & The Maytals “Funky Kingston” Reggae Greats 1997 3:30 World
890 Rex Harrison & Irene Dunne “Anna and the King of Siam” Lux Radio Theatre 1/20/47 57:47 Radio Show
900 Kyle Jason “Leave This World” SLAMJamz Records 2:22 Hip Hop/Rap
910 Johann Sebastian Bach “Brandenburg Concertos No. 5 in D major (Allegro)” BWV1050 Golden Classics – Bach: Brandenburg Concertos 1992 5:39 Classical
920 Joni Mitchell “Big Yellow Taxi” Ladies of the Canyon 1970 2:14 Pop
930 CBS Radio Mystery Theater “Honeymoon With Death” CBS Radio Mystery Theater 1/11/74 44:31 Radio Show
940 Chocolate Milk “Girl Callin'” We’re All in This Together 5:30 R&B
950 Powder Monkeys “Ugly” Smashed On A Knee 1993 3:59 Punk
960 Radio Birdman “American Ruse” Rock’n’Roll War 2:42 Rock
970 “Hoot Owl (cont.)” 133 Authentic Sound Effects 0:11 Other
980 Booker T. & The MG’s “Can’t Be Still” Best of Booker T. and The MG’s 1989 2:00 Rock
990 Dick Robertson “We Did It Before (And We Can Do It Again)” Decca 4117 1941 2:28 Pop
1000 Jerry Garcia Band “Knockin’ On Heaven’s Door” 1977-07-02 – Palo Alto, CA 1977 18:49 Rock

†The numbering here is “up to” the 101,000th song, thus negative count numbers are shown for those tracks which got “pushed down” below the 100k mark, due to those forces mentioned in the opening section of this post. To get the current track count simply add 100,000.

Envoi

See you next time! (Very soon, as I’m less than 75 tracks before the next 1k are heard!)

One Hundred And One Thousand Songs

Just listened to my 101,000th unique iTunes track, a long (and at times quite good) version of “Knockin’ On Heaven’s Door” by The Jerry Garcia Band at one of many shows at the Keystone Palo Alto in 1977, this one on July 2nd (how did anyone in the Bay Area get anything done in 1977?).

101,000 unique tracks comprises 713.61 GB of data, with a total duration of 321 days, 9 hours, 15 minutes, and 56 seconds (ignoring multiple plays). My iTunes collection still has 87,333 items left unplayed — 570 fewer tracks than the last milestone, thus a net gain of 430 tracks. The unplayed tracks take up 655.59 GB of data (↓ 16.5GB) with a playing time of 441 days, 4 hours, 4 minutes, and 19 seconds (↓ 16 days).

More detailed analysis to come, and I still need to put the entire first 100K under the microscope.

Our First Date

I remember very well the first time your mother and I ever kissed. I’ve just been running in the park across the street from my apartment and I ran past the precise spot where Anne and I first kissed, nine months and twenty-four days ago. This park has a four mile circular path through the woods that I run around, and it is a pretty walk through trees and underbrush. On September 2 last year, Anne and I went for a picnic in that park, and walked down that path. It was our first “date”.

The point where the path hits the road my apartment faces is at the top of the hill, so both directions of the path tend downwards from here. Anne and I walked down the path, looking at the foliage and talking. I was very proud of living near such beauty, though now I see that such beauty is everywhere, if only my eyes are open to it. We walked a couple of miles down the path, looking for a likely picnic spot, when we spied a deer. It was a beautiful doe, oblivious to our presence, eating at greens that poked through the fallen leaves on the floor of the woods. She was only thirty feet or so away from us, off the path on the downslope side. Anne and I watched her, transfixed by the wonder of coming upon another creature, seeing her eat in precise, delicate motions, stepping lightly over branches as she looked about occasionally before resuming her dinner. We watched for a long time and then, catching each others eye quietly returned the way we had come, leaving our deer friend in peace. We walked back up the path a while, finally spreading out the picnic supper Anne had brought on a flat place in the path, which overlooked the bay. From our picnic we could see Hoover Tower at Stanford and the water of the bay and the distant hills over on the East Bay. We ate hummus, tabouli and feta cheese in pita bread, with Calamata olives and the most wonderful grapes. I can still remember how good those grapes tasted and I wrote Anne a poem about them. We talked. We talked about ourselves. You don’t have to talk about dreams if you feel them. I’ll say more about your mother later; she is my very good friend, and is a very good person, perhaps better than she knows. We both liked each other a lot but also were scared of being hurt, of hurting someone. So we talked of our families, of what we’d done when we were in school. I’d just found out the day before our picnic that I was going to get to go back to college to finish up my degree, so I talked about that, maybe I said how nervous I was about returning.

We ate and watched the bay and watched the sky fade from blue to deep purple as the sun set and the stars came out. It was beautiful. Finally it got pretty dark and we got up and put away our picnic stuff, and we set out back up the trail to go back to my place.

We walked side by side in the twilight, the path almost a memory beneath our feet, saying little, enjoying each other’s company. The path wound through trees overhanging and hiding the sky. We walked with each other in the darkening woods, and we stepped into a part of the trail where there was an opening in the tree cover, where we were lit by star light beneath the opening in the woods above. We stood beneath the stars, looking at each other in their faery light, and we kissed, coming together as we held each other in nature beneath heaven.

That was our first kiss.

26 June 1995

[From my diary, on the 23rd anniversary of our first date.]

100k, the Last Thousand

As promised, here’s some data about the most recent 1,000 songs I listened to. These made up the last 1% of 100,000 unique tracks heard.

Purview

We consider merely the 1,000 tracks played by iTunes (or its related phone app) from the April 2 to June 9, in the year 2017* — which tracks comprise numbers 99,001 – 100,000 in my ‘Already Played’ Smart Playlist.†

*Those paying attention to my earlier report will note that the last investigation covered songs played through March 28th — So why the 5 day gap? Due to the fact that songs may be played multiple times, a repeated play of a song heard before may ‘push out’ a new song from the LastX set of songs. That is, if we consider the ‘Last 10’ songs and start from the 91st song, counting up to 100 unique songs, and songs 91-99 are all new (single play) tracks, but the would-be 100th track is a repeat of #1, we’ve still only listened to 99 total songs; if we now listen to a new track for #100, the song which had earlier been #91 has been ‘pushed down’ to #90 (due to the fact that the former #1 is now #99) and the time at which that song was heard has been lost, replaced by the Last Played time of the former song #92 (now #91). Taking this over 1,000 songs explains why we’re missing quite a few days. Alas, some songs are lost from our view, like some strange Feynman Diagram of data.

†More details about this playlist and associated details (including that covered in the preceding note) can be found in this earlier post on reaching 99,000 songs. The same caveats about data modification apply.

Overview

Changes in the conditions of my material life continue. Nowhere is this more apparent than in the primary fact presented by these 1,000 songs: Over 80% of all tracks played are Radio Shows.

80.3% of all tracks played were Radio Shows

As previously mentioned, these tracks were played between April 2 and June 9, 2017, making a total of 68 days to play these 1,000 songs. Thus nearly 15 songs were played per day.

14.7 Songs played per Day

Assuming that each track was played only once during the thousand song run — not an entirely valid assumption (and see note * above), but a fair hypothesis for this analysis — the total amount of time taken to play these 1k songs was 19 days, 17 hours, 17 minutes, and 21 seconds.

Total Time of Tracks: 19 Days, 17 Hours, 17 Minutes, and 21 Seconds

Since these songs were played over a stretch of 68 days, and given the total length of time of all played tracks above, this means that just over 29% of this 68-day period was spent listening to iTunes in one way or another.

29% of Each Day spent listening to iTunes

or

6 hours and 57-1/2 minutes per day Listening to Stuff

Once again, most of these tracks have only been played once. Specifically, 900 songs (9/10) were played for the first time during this most recent thousand tracks. The remaining 100 songs with multiple plays together have been played a grand total of 354 times.

900 Tracks heard for the 1st Time

Details

Genres

The data shows the prevalence of Radio Shows in my recent listening. Here is a chart, broken down by genre, showing what was included in these one thousand tracks:

Songs by Genre

And here is a table showing those genres which each provided over 1% of the total number of tracks played:

Songs Played by Genre

Radio Show 803
Rock 76
Pop 16
Alternative 14
Jazz 13
Novelty 11

All the rest of tracks played make up 6.7% of the total.

But the prevalence of Radio Shows is even greater than shown by this first view, due to the fact that (natürlich) the average radio show is longer than most popular songs. If we inspect the tracks played with respect to their duration we discover that the Radio Show genre actually makes up almost 97% of the total.

96.92% of time spent listening to Radio Shows

Here’s the chart:
Time by Genre
Usually I’d put a table in here to follow up the chart, but the reality is that only one other Genre made up more than 1% of the total time spent listening. This was Rock, which 1.14% of the total duration spent listening to these thousand tracks. That big green bar in the chart up above, representing time of Jazz songs? That represents only 0.31% of the total time. I almost made a table of the contributions by time excepting Radio Shows, but … meh.

Again, due to the overwhelming preponderance of old radio shows among these thousand tracks, the average length of the played tracks was twenty-eight minutes and twenty-four seconds. This was very similar to the average from the last thousand tracks, being only twenty seconds less.

Average length of played tracks: 28:23.8

Radio shows had the longest average, at thirty-four minutes and seventeen seconds (34:16.6). Only two other Genres averaged over ten minutes: Avant-Garde (a single Salvador Dalí track from Être Dieu, lasting twenty-five minutes and five seconds) and History (three selections, averaging ten minutes and fifteen seconds each). Since I ripped you off last time, here’s another table:

Average Length of Tracks by Genre
(with more than 10 tracks played)

Radio Show (803 tracks) 28:23.8
Jazz (13 tracks)  6:40.2
Novelty (11 tracks)  5:48.4
Rock (76 tracks)  4:16.5
Pop (16 tracks)  3:51.5
Alternative (14 tracks)  3:25

Albums

Radio Shows contributed (of course) most of the songs when we regard them by albums. Over half the tracks played came from just fourteen albums.

528 tracks came from just 14 albums

Of course, grouping Radio Shows into ‘albums’ means that these have more tacks than the average CD. Of the fourteen albums mentioned above, the smallest contribution was over seventeen tracks. All of the albums making up this majority of tracks heard were Radio Shows. The first non-radio album on the list, with seven tracks, was Brothers In Arms by Dire Straits. (This album has only nine tracks — a respectable number — so that it would never have made the top of the list anyway.) The top fourteen albums are:

Lux Radio Theatre 112 tracks
Theater Five 73
The Green Hornet 38
Sears Radio Theater 36
Space Patrol 36
Suspense 33
NBC University Theater 32
Mystery House 31
CBS Radio Mystery Theater 28
Have Gun, Will Travel 28
Words At War 23
Zero Hour 23
You Are There 18
Gunsmoke 17

Artists

All of the most played artists this time around were those actors appearing in the most frequent albums/shows mentioned above. The list includes the luminaries John Dehner and William Conrad (for Have Gun, Will Travel and Gunsmoke respectively), as well as Al Hodge, Jack McCarthy (who both played The Green Hornet) and Earle Graser (who played The Lone Ranger during the 30’s).

Songs

As I said earlier, the vast majority — 900 — of the played tracks have only been heard once (by me). The 100 songs which have been played 354 times in toto primarily consist of songs played only twice (74 songs). And almost 20% of the 354 multiple plays came from one song — if ‘song’ it can be called, but as I have named radio episodes ‘songs’ who am I to quibble? — that single song being the first movement (Tacet) of John Cage’s 4’33”. It certainly has its appealing aspects.

Most played song (70 times): “4’33”: I – Tacet” by John Cage

The next most frequently played track was the work of genius “The Man’s Too Strong” by Dire Straits, which I’ve listened to (according to iTunes data) a total of thirteen times.

2nd most played song (13 times): “The Man’s Too Strong” by Dire Straits

Only two other songs in this last one thousand have been heard (by me) ten or more times, both of them covers: Johnny Cash’s masterful rendition of Trent Reznor’s “Hurt” (11 times), and “Working Class Hero” as performed by Marianne Faithfull live on her album Blazing Away.

The shortest track was only 3 seconds long, an audio sample from an experimental set of sound files from the radio station KKFS. The longest track lasted two hours, thirty minutes and forty-six seconds; this was “If Two Of Them Are Dead”, a week-long radio drama, from the series Zero Hour hosted by Rod Serling, which originally aired in September of 1973, though this particular recording was broadcast (putatively) from New Year’s Eve 1973 though January 4, 1974. The song closest to the average length (the median) was an episode of Suspense titled “On a Country Road” (aired May 5, 1959) which clocks in at seventeen minutes and twenty-nine seconds.

Review

I usually refrain from getting into my ratings for specific tracks, etc. I will say, however, that the average rating for all 1,000 tracks was 3-3/4 stars. I won’t get into specific of my rating system save to say that this is lower than usual for rated items.

I will also say that not all radio shows are created equal, and that something was forgotten not long after television began to dominate American media. The reprise of radio in the 1970’s was for the most part a pale mimeograph of the original greats. However, many great shows aired on radio under the penumbra of the new medium of television. Shows such as Dragnet, Gunsmoke, and Have Gun, Will Travel were broadcast on both radio and TV, and the radio version of these shows were often at least as good — if not better — than the televised episodes.‡ Other good radio worth checking out includes Suspense, some of the Lux Radio Theatre, the fantastic Yours Truly, Johnny Dollar, Let George Do It, and Box 13. And fans of history will love the wonderful dramatic recreations of You Are There. There are many other great shows, but the ones mentioned have enough extant episodes to make binge listening a possibility. (You might check out Pat Novak … For Hire for a different take on Jack Webb.)

‡Note that many of the available recordings of Have Gun, Will Travel are of lower quality. :(

I still hope to make an analysis of the full set of my first 100,000 songs. But I do not doubt that I won’t complete that before the next thousand tracks have passed my ears. Currently I’m knee-deep in Lux Radio Theatre episodes, and I’m trying to make up the over 100 day deficit between songs listened to and those I have not yet heard. So I expect the average track length to grow greatly in the next tranche.

Here is another sample of these last one thousand songs:

Another Tenth of One Thousand Tracks

# Artist Name Album Date Time Genre
10 “The Tin Whistle” The Columbia Workshop 11/23/1946 29:56 Radio Show
20 “The Last Letter of Dr Bronson” Suspense 7/27/1943 29:39 Radio Show
30 “Masquerade” CBS Radio Mystery Theater 2/11/1977 44:57 Radio Show
40 Abbott & Costello “Sam Shovel – Case Of The Russian Diplomat” The Abbott & Costello Show 11/18/1948 28:52 Radio Show
50 “The Strange Voyage of the Lady Dee” CBS Radio Mystery Theater 11/18/1974 43:58 Radio Show
60 “The Mystery of the Marie Celeste” Suspense 12/27/1955 29:13 Radio Show
70 Eric Dolphy “245” Seven Classic Albums 1960 6:51 Jazz
80 Spike Jones Guest – Francis Craig Spotlight Revue 11/14/1947 29:41 Radio Show
90 “A Table for Two” CBS Radio Mystery Theater 9/25/1978 42:32 Radio Show
100 Glen Langan “Monica Feels Threatened” Mystery Is My Hobby 1947 24:58 Radio Show
110 William Conrad “Maw Hawkins” Gunsmoke 3/8/1959 23:49 Radio Show
120 The White Stripes “Black Jack Davey” Black Jack Davey – Single 2004 5:06 Alternative
130 The Stooges “Head On” Metallic K.O. 1976 8:30 Rock
140 Bob Dylan & The Band “All-American Boy” A Tree With Roots, vol. 3 1967 3:57 Rock
150 “Great Impersonation” Studio One 1/27/1948 0:11 Radio Show
160 Tyrone Power & Barbara Stanwyck “This Above All” Lux Radio Theatre 9/14/1942 59:04 Radio Show
170 Bob & Ray “Lawrence Fechtenberger’s New Recruit” Bob & Ray Present the CBS Radio Network 11/25/1959 15:27 Radio Show
180 Ronald Reagan “Carbine Williams” Lux Radio Theatre 3/22/1954 55:12 Radio Show
190 Anne Baxter “The Affairs of Susan” [AFRS] Lux Radio Theatre 8/24/1953 56:20 Radio Show
200 “The Elsner Case” The Line-Up 12/28/1950 29:41 Radio Show
210 John Dehner “Bad Bart” Have Gun, Will Travel 1/31/1960 24:29 Radio Show
220 “Condition: Red” Words At War 1/25/1944 29:29 Radio Show
230 Union Carbide Productions “Maximum Dogbreath” Financially Dissatisfied Philosophically Trying 1989 4:42 Rock
240 “Heart Of Darkness” NBC University Theater 5/15/1949 59:28 Radio Show
250 The English Beat “Ackee 1 2 3” Special Beat Service 1982 3:13 Rock
260 “The Good Samaritians” Theater Five 10/15/1964 20:47 Radio Show
270 Jimmy Stewart “Britt Poncett’s Christmas Carol” The Six Shooter 12/20/1953 28:58 Radio Show
280 “Lexington, Concord And Merriam’s Corner [April 19, 1775]” You Are There 5/15/1949 30:05 Radio Show
290 “Melodrama” Theater Five 8/13/1964 20:56 Radio Show
300 Jack Moyles “Ace High Straight” Rocky Jordan 12/12/1948 29:48 Radio Show
310 Bob Bailey “The Markham Matter” Yours Truly, Johnny Dollar 11/18/1956 30:00 Radio Show
320 “The Ship” Words At War 7/24/1943 29:27 Radio Show
330 Charles Russell “The Racehorse Piledriver Matter” Yours Truly, Johnny Dollar 10/8/1949 29:45 Radio Show
340 “Murder in Paradise” Mystery House 11/18/1945 26:26 Radio Show
350 “The Walls of Poison Ivy” Theater Five 7/14/1965 20:31 Radio Show
360 John Dehner “No Visitors” Have Gun, Will Travel 12/28/1958 24:23 Radio Show
370 Claudette Colbert “Thunder on the Hill” Lux Radio Theatre 11/9/1953 52:06 Radio Show
380 “A Leading Case” Sears Radio Theater 5/30/1979 48:57 Radio Show
390 “A Spy Ring In June” Stand By for Crime 1953 24:36 Radio Show
400 John Dehner “The Statue of San Sebastian” Have Gun, Will Travel 5/10/1959 23:55 Radio Show
410 “Murder Hires A Hall” Mystery House 6/7/1946 25:27 Radio Show
420 “Muncy’s Mob” Sears Radio Theater 5/24/1979 49:10 Radio Show
430 John Dehner “Assignment In Stone’s Crossing” Have Gun, Will Travel 11/8/1959 23:56 Radio Show
440 Jack Moyles “Up in Flames” Rocky Jordan 12/19/1948 29:38 Radio Show
450 “Design for Disaster” Space Patrol 9/11/1954 28:59 Radio Show
460 Dick Powell “To the Ends of the Earth” Lux Radio Theatre 5/23/1949 1:00:10 Radio Show
470 June Allyson & Margaret O’Brien “Little Women” Lux Radio Theatre 3/13/1950 59:53 Radio Show
480 Al Hodge “Gasoline And The Hornet” The Green Hornet 8/29/1943 29:23 Radio Show
490 Jack McCarthy “Murder and Espionage” The Green Hornet 11/28/1952 29:50 Radio Show
500 “Lonely Hearts Club Of Doom” Stand By for Crime 1953 24:43 Radio Show
510 Bob Bailey “The Flowers That Smelled of Murder”” Let George Do It 11/1/1948 29:40 Radio Show
520 Barbara Stanwyck & Barry Sullivan “Jeopardy” Lux Radio Theatre 3/15/1954 48:39 Radio Show
530 “The Show-Off” The Old Gold Comedy Theatre 1/21/1945 30:14 Radio Show
540 Jimmy Stewart “Apron Faced Sorrel” The Six Shooter 2/7/1954 28:32 Radio Show
550 Ross Martin “Chicago John And The Glitter People” Zero Hour 7/24/1974 23:41 Radio Show
560 Donovan Faust “Intrigue on the Waterfront” The Green Hornet 4/8/1944 29:14 Radio Show
570 “The Final Fall” Sears Radio Theater 2/19/1979 50:08 Radio Show
580 “The Ninth Commandment” Words At War 12/28/1943 29:58 Radio Show
590 “An Average American Murder” Theater Five 12/16/1964 20:20 Radio Show
600 “The Imposters” Theater Five 1/21/1965 21:42 Radio Show
610 R.E.M. “Superman” Life’s Rich Pageant 1986 2:52 Rock
620 Charlton Heston & Joan Fontaine “The President’s Lady” Lux Radio Theatre 9/28/1953 56:49 Radio Show
630 “Mama’s Girl” Theater Five 6/1/1965 21:14 Radio Show
640 “Murder Takes Practice” Mystery House 4/21/1946 27:07 Radio Show
650 “An Honorable Way” Theater Five 10/19/1964 19:50 Radio Show
660 John Dehner “French Leave” Have Gun, Will Travel 1/17/1960 24:56 Radio Show
670 Janet Leigh “Strictly Dishonorable” Lux Radio Theatre 12/8/1952 53:21 Radio Show
680 “The Strange Affliction” Sears Radio Theater 5/29/1979 51:09 Radio Show
690 “Sauce for the Goose” Mystery House 9/30/1945 26:01 Radio Show
700 The Yardbirds “I’m Not Talking” Shapes Of Things 1965 2:32 Rock
710 Joseph Cotten & Anne Baxter “Portrait Of Jenny” Lux Radio Theatre 10/31/1949 59:34 Radio Show
720 Cornell Wilde “Venom” Hollywood Star Playhouse 6/19/1950 29:17 Radio Show
730 “Death House Blues” Mystery House 10/7/1945 26:13 Radio Show
740 “The Composite Killer” Mystery House 5/5/1946 26:12 Radio Show
750 Ringo Starr “It Don’t Come Easy” Ringo 1973 2:47 Rock
760 “The Perfect Hostess” Sears Radio Theater 6/13/1979 39:19 Radio Show
770 Jack McCarthy “Election Boomerang” The Green Hornet 10/15/1952 30:00 Radio Show
780 Anne Baxter & Dan Dailey “A Ticket to Tomahawk” Lux Radio Theatre 6/4/1951 54:27 Radio Show
790 Don Douglas “The Sixth Bullet” John Steele, Adventurer 1/30/1951 29:58 Radio Show
800 “The Lord of the Witch Doctors” Suspense 10/27/1942 29:19 Radio Show
810 “The Trophy” Theater Five 1/15/1965 22:14 Radio Show
820 “Any Port in A Storm” Theater Five 3/16/1965 22:09 Radio Show
830 Frank Lovejoy “The Night Is a Weapon” Night Beat 2/13/1950 33:44 Radio Show
840 Earle Graser “The Mystery Of Apache Valley” The Lone Ranger 1/11/1939 29:33 Radio Show
850 Peggy Seeger “Letter to Pete” Pete Seeger’s 90th Birthday: The Clearwater Concert 2009 6:34 Folk
860 “Lewis and Clark” The General Mills Radio Adventure Theater 4/23/1977 40:07 Radio Show
870 “The Trial of John Peter Zenger [August 4, 1735]” You Are There 2/6/1949 29:02 Radio Show
880 William Gargan “Death of a Private Eye” Barrie Craig, Confidential Investigator 1/2/1952 29:08 Radio Show
890 “Courtesy” X Minus One 8/18/1955 24:17 Radio Show
900 “The Hideout” Words At War 5/1/1945 28:52 Radio Show
910 Love Academy “Originell” LVCDM EP 2010 2:17 Punk
920 Owen Gray “Lonely Days” Independent Jamaica (Songs of Freedom from the Treasure Isle) 1962 1:59 Reggae
930 Iron & Wine “No Moon” 2009-05-13 – Schubas – Chicago, IL 2009 3:43 Alternative
940 “A Sense of Pride” Sears Radio Theater 6/7/1979 39:19 Radio Show
950 Desmond Dekker & the Aces “Shing A Ling” The Original Reggae Hitsound of Desmond Dekker and The Aces 1968 2:19 Reggae
960 Buffalo Springfield “49 Reasons” (demo) The Missing Herd: Vol. 6 Do Not Approach Buffalo 2:29 Rock
970 Manito “Na baixa da sapateiro” Black Rio – Brazil Soul Power 1971-1980 1970 3:28 R&B
980 “The March of Time – Pearl Harbor” The March of Time 12/11/1941 24:23 History
990 The Grateful Dead “St. Stephen” 1978-01-22 – McArthur Court, U of Oregon, Eugene, OR 1978 7:35 Rock
1000 The Louvin Brothers “I Wonder Where You Are Tonight” Close Harmony 1993 2:42 Country

100,000 Songs

Just listened to my 100,000th unique iTunes track, the plaintive “I Wonder Where You Are Tonight” by The Louvin Brothers, appearing here on their collection Close Harmony. Preceding that song was the Argentine rock band Bersuit Vergarabat’s “Fisurar” (from La Argentinidad Al Palo), and next up is “Blood and Sand” by Pigface, from the album Welcome To Mexico… Asshole.

100,000 unique tracks comprises 693.83 GB of data, with a total duration of 301 days, 17 hours, 53 minutes, and 4 seconds (not accounting for multiple plays). My iTunes collection still has 87,903 items left unplayed — ~6,500 more tracks than the last milestone, due mostly to continued downloading of old radio shows from Archive.org inter alia. The unplayed tracks take up 672.05 GB of data (↑ 110GB) with a playing time of 457 days, 14 hours, 37 minutes, and 30 seconds (↑ 111 days; radio shows are long). We are far below the halfway point in terms of total duration now…

I’ll prepare a more detailed analysis, though I may need to do that in phases.

99,000 Songs on the Wall (of Data)

As promised, though belated, herewith are some points derived from data pursuant to the tranche of the most recent 1,000 songs which brought my total of iTunes tracks listened to up to the 99,000 mark. In the contemporary thought space, one calls such points and the thoughts about them ‘insights’, which pleads a special power for these details. One can do so much with modern computing power.

Purview

These details concern merely the 1,000 tracks played by iTunes (or its related phone app) from the 10th of December, 2016 to the 28th of March, 2017 — which tracks comprise numbers 98,001 – 99,000 in my ‘Already Played’ Smart Playlist. This playlist has the following very simple rule: # of Plays is greater than zero; the rule is applied to All Media.

This very basic rule means that movies or TV shows watched through the Apple media apparatus are counted as a ‘played track’, as we shall see in the 1k tranche of tracks. It also has as a concomitant consequence the fact that I shall never achieve 100% ‘completion’ in playing my entire collection, this due to the fact that PDF files included as ‘Digital Booklets’ with Apple Music purchases are not — cannot be, in fact — ‘played’ according to the logic provided for by the database.

Two other factors mar the mapping of the iTunes data with the ‘true’ reality which it (implies/reflects/purports to reveal/?) mirrors: First, any songs which have been deleted* from my collection lose any associated data as well, so their Plays and other datapoints are removed from the present universe (though I suppose one could trawl through backups to resurrect such). And second, iTunes provides a means by which the Plays may be ‘reset’ back to zero, so there may have been songs which have been listened to but which have since had that fact masked/obliterated/effaced from history.

Side note: This functionality seems to have changed in recent months, in that formerly whilst the Plays were reset to zero, the ‘Last Played’ timestamp remained. Now the latter is removed as well. Thus I have several (13) tracks which have no plays but do have a Last Played date. Oddly also, there are quite a few (131) songs which have been ‘Played’ but which have no associated ‘Last Played’ datum.

*Missing songs still have their associated data, though I’ve tried to replace such files (where possible) or remove the reference (where not). I still have a handful I haven’t been able to rectify, victims of my first iTunes data disaster, the loss of 20 GB of songs due to a hard drive failure oh-so-many years ago.

There is also the problem of duplicate music. I do not in this case mean duplicate occurrences of the same song on the same album — the underlying files are kept cleaner than that. But it is not unusual for popular songs to appear in my collection both on the original album release as well as on (sometimes multiple) compilation albums. There are also cases where iTunes itself has duplicated tracks, with an old ‘Protected’ track being joined by a ‘Purchased’ version. I have also some regular .mp3 versions of old purchased music, and have kept both out of spite, insecurity, and laziness.

In the data which follows, I have made some manual changes/edits, to wit: 1) I have simplified/changed Genres to make aggregation more possible or rational (thus ‘Calypso’ has been changed to ‘Folk’, for example), 2) I have had to edit data at times due to improper handling of exported iTunes information (the song title “Somebody’s Wrong” (with an unfortunate so-called smart quote) was changed to “Somebody’s Wrong” somewhere along the path into Excel, for instance), and 3) some names may have been changed to protect the innocent, if any such there be.

Overview

Due to changes in my material life (please see my LinkedIn page), my listening habits/opportunities/choices are also materially changed. Nowhere is this more apparent than in the primary fact presented by these 1,000 songs: Almost 1/2 (49%) of all tracks played are Radio Shows.

Almost 1/2 (49%) of all tracks played are Radio Shows

As previously mentioned, these tracks were played between December 10, 2016 and March 28, 2017, making a total of 108 days to play these 1,000 songs. Thus an average of 9-and-1/4 songs were played per day.

9.26 Songs played per Day

Assuming that each track was played only once during the thousand song run — not an entirely valid assumption, but a fair hypothesis for this analysis — the total amount of time taken to play these 1k songs was 12 days, 1 hour, 36 minutes, and 49 seconds.

Total Time of Tracks: 12 Days, 1 Hour, 36 Minutes, and 49 Seconds

Since these songs were played over a stretch of 108 days, and given the total length of time of all played tracks above, this means that over 11% of the 108-day period was spent listening to iTunes in one way or another.

11.17% of Each Day spent listening to iTunes

or

2 hours and 41 minutes per day Listening to Stuff

Most of these tracks have only been played once, which is both my preference and delight. Specifically, 833 songs (7/8) were played for the first time during this most recent thousand tracks. The remaining 167 songs with multiple plays together have been played a grand total of 529 times.

833 tracks had never been played before

Details

Genres

The data shows the prevalence of Radio Shows in my recent listening. Here is a chart, broken down by genre, showing what was included in these one thousand tracks:

Played By Genre

And here is a table showing those genres which each provided over 1% of the total number of tracks played:

Songs Played by Genre

Radio Show 491
Rock 226
Pop 43
Spoken Word 29
Alternative 25
Electronica/Dance 24
Folk 14
R&B 14
World 13
Classical 12
Holiday 12
Punk 12
Country 11

All the rest of tracks played make up 7.4% of the total.

But the prevalence of Radio Shows is even greater than shown by this first view, due to the fact that (natürlich) the average radio show is longer than most popular songs. If we inspect the tracks played with respect to their duration we discover that the Radio Show genre actually makes up over 80% of the total.

Over 80% of time spent listening to Radio Shows

And of course there’s a chart:
Genre Played by Time

Aaaand a table…

Tracks Played by Genre by Time

Radio Show 81.2%
Rock 6.4%
Spoken Word 3.3%
Pop 1.7%
Electronica/Dance 3.3%
Holiday 1.1%

(The remainder of tracks make up just over 5% of total time.)

Due — primarily, but not exclusively, as we shall see — to the preponderance of old radio shows among the one thousand tracks under consideration, the average length of the played tracks was seventeen minutes and twenty-two seconds.

Average length of played tracks: 17:22.6

Radio shows were not the longest tracks, on average, due to the fact that TV shows are included in the 1,000 files under consideration. We watched a couple of episodes of Shetland during this period, which averaged fifty-eight minutes (and one second) in length. The average length of radio shows was second, however, coming in at twenty-eight minutes and 43.5 seconds. Indeed, there were quite a few genres which had very long average lengths — again, due to changed material conditions of the listener. Five other genres had average times of over ten minutes. Even if we limit our attention to only those genres contributing at least 1% of the total number of tracks we see that the average length of songs played seems inordinately long, far greater than Pete Townshend’s two minutes and thirty-seven seconds at which he claimed all rock songs aimed before the advent of The Who. Here’s another table:

Average Length of Tracks by Genre
(with more than 10 tracks played)

Radio Show* (491 tracks) 28:43.5
Spoken Word* (29 tracks) 19:49.7
Holiday* (12 tracks) 16:00.6
Electronica/Dance* (24 tracks)   9:34.8
Pop* (43 tracks)   6:50.4
Classical (12 tracks)   5:07.1
World (13 tracks)   4:58.5
Rock* (226 tracks)   4:53.8
Novelty (10 tracks)   4:10.9
Alternative (25 tracks)   4:08.2
Latin (10 tracks)   3:53.3
R&B (14 tracks)   3:43.3
Folk (14 tracks)   3:41.4
Blues (10 tracks)   3:13.2
Punk (12 tracks)   2:44.3
Country (11 tracks)   2:39

(*These categories also contributed over 1% of the total time played.)

The shortest time per track was the minuscule 17 seconds averaged across the three tracks in the Radio Ad category, far smaller than the next shortest average of 1:53 for the Avant-Garde genre (which latter is so small due to the 31 seconds Marie Osmond took to perform Hugo Ball’s Dada poem “Karawane” in an mp3 provided by Greil Marcus to accompany his fantastic book Lipstick Traces).

Albums

With the prevalence of radio among these 1,000 tracks, it may seem strange to speak of ‘songs’ or ‘albums’, but I have organized those tracks just as if they were long albums with lots and lots of long ‘songs’. Some are stored as compilations — such as the Lux Radio Theater which had different stars each week — and some are associated with a single artist — such as Jack Webb’s Dragnet radio series. There are also those shows which had different stars over the length of their radio run, such as The Adventures of Philip Marlowe, which had seen its best days with Gerald Mohr as the iconic detective by the time Van Heflin took over the eponymous role.

433 tracks came from just 14 albums

Ignoring multiple artists/actors, just fourteen ‘albums’ as I define them account for over 40% of the songs played in the selection under review. Each of these contributed ten or more tracks to the total 1,000. These albums are as follows:

The 1966 Live Recordings                 (36 CD set) Bob Dylan 117 tracks
Dragnet Jack Webb 78
Yours Truly, Johnny Dollar Bob Bailey et al. 31
Boston Blackie Richard Kollmar et al. 30
Box 13 Alan Ladd 29
The Adventures of Philip Marlowe Gerald Mohr et al. 29
Let George Do It Bob Bailey 28
The Adventures Of Frank Race Tom Collins & Ivan Dubov 18
Richard Diamond, Private Detective Dick Powell 15
Nick Carter, Master Detective Lon Clark 13
The Adventures Of Sam Spade Howard Duff (& Steve Dunne) 12
The Casebook Of Gregory Hood Gale Gordon & Elliot Lewis 12
The Shadow Orson Welles et al. 11
Under The Red Sky Bob Dylan 10

Artists

Besides the artists mentioned above, only four other artists appear more than ten times in the 1k list. These are Steely Dan (16 tracks), Charles Russell (the 1st Johnny Dollar, also with 16 tracks), Anson Weeks (14 tracks), and Special Ed (a nom de radio for a WFMU DJ whose Christmas specials were in rotation last winter, with 11 tracks).

The perennial favorite (with me) Bob Dylan sang out most frequently, with 145 songs out of The 1000. 264 artists only appeared one time during this set of songs.

Most played artist: Bob Dylan (145 tracks)

Songs

As I said earlier, the vast majority — 833 — of the played songs have only been heard once (by me). Of the 167 songs whose total plays make up the 529 plays mentioned above, the most frequently heard was the delightful duet by William Shatner and Henry Rollins, “I Can’t Get Behind That”, from Shatner’s incredible album Has Been, which I’ve listened to (according to iTunes data) a total of twenty-one times.

Most played song (21 times): “I Can’t Get Behind That” by William Shatner

The most frequently played songs in this set of 1,000 are as follows:

Songs With Most Plays
(played at least 10 times)

“I Can’t Get Behind That” William Shatner 21 plays
“Without God” The Word 19
“Brothers In Arms” Dire Straits 15
“Black Betty” Ram Jam 14
“Go” Dusminguet 14
“Smells Like Teen Spirit” Nirvana 14
“Dock of the Bay” Otis Redding 10
“I Won’t Back Down” Johnny Cash 10

There was a lot of variance in track length from the average of 17 minutes and 23 seconds referenced above. The shortest track was only 4 seconds long, an audio clip from the Dragnet radio show where Jack Webb speaks of “Crime, the ally of treason”. The longest track clocked in at one hour, twenty-seven minutes and twenty-nine seconds; this was the “The Kranesburg Matter”, originally aired over five days in 1956 (August 24th to 30th) as part of the radio show Yours Truly, Johnny Dollar, starring (in this particular incarnation) Bob Bailey as the insurance investigator with the gold-plated expense account. The song closest to the average length (the median) was a recording of the intermission from Bob Dylan’s Australia concert in Sydney on April 13, 1966, which clocks in at seventeen minutes and twenty-eight seconds.

Tracks Played By Length

Shortest “Crime, the ally of treason” Jack Webb 0:04
Longest “The Kranesburg Matter” Bob Bailey 1:27:29
Median intermission (Bob Dylan) 17:28

Review

“The unexamined life is not worth living.”
— Socrates

So we have learned … What, exactly? I listened to a lot of old radio. One out of every nine minutes I was playing iTunes. That’s about it, maybe. Perhaps a better analyst would make more of this data.

I also know that it took me quite some time to fulfill my promise to provide this data analysis. As mentioned above, the Thousandth track in this set was listened to all the way back at the end of March, on Day 68 of the New Era. Much of this is due to procrastination; who in their right mind truly enjoys scrubbing data errors in Excel? But a large part of the delay may be laid at the feet of my changed material conditions. Less time than previously was available to me, and an exhaustion was felt beyond thud weight of imperious data.

In any event, it is good to finish this analysis, for two reasons. First, avoiding the despair of analysis interminable is always good; endings are better than the crushing wait for messiahs who never arrive. Secondly, the time since the 99,000th track was heard have not been soundless. More tunes/tracks/songs/stuff have passed through iTunes in the interim, and we are fast approaching yet another (base-10) milestone. Indeed, I am only 55 tracks away from my 100,000th iTunes track played, and I am glad to have finished with the last 1000 after only 945 more tracks were heard. More to come.

In my One Hundred Books review, I provided a list of the entire dataset under consideration. With one thousand audio files, however, perhaps this might seem overkill. To avoid boring you too much more, i will heap up only 1/10th of the complete dataset. Here it is:

One-Tenth of One Thousand Tracks

# Artist Name Album Year Time Genre
10 Bob Dylan “Tom Turkey” (1) Pecos Blues: Pat Garret & Billy The Kid Outtakes 1973 3:55 Rock
20 Zeki Müren “Sûznâk Aksak Şarkı” 1955-63 Kayıtlaı/Recordings 3:38 World
30 Jack Webb “The Big Ham” (06/28/53) Dragnet Radio Series 1953 29:21 Radio Show
40 Lulu “Feelin’ Alright” What It Is! Funky Soul And Rare Grooves: 1967-1977 1970 3:02 R&B
50 Jack Webb “The Big Child” (04/26/55) Dragnet Radio Series 1955 25:22 Radio Show
60 Herb Alpert & The Tijuana Brass “The Big Cowboys And Indians Fight At Casino Royale; Casino Royale Theme” Casino Royale [Australian Mono] 1967 4:49 Pop
70 Yo La Tengo “Big Day Coming” Painful 1993 7:05 Alternative
80 Jack Webb “The Big Fake” (06/01/50) Dragnet Radio Series 1950 29:30 Radio Show
90 Bruce Springsteen “Downbound Train” Born In The U.S.A. 1984 3:37 Rock
100 Bob Bailey “The First Client” (05/14/46) Let George Do It 1946 29:19 Radio Show
110 James Kibbie “Duetto III” BWV804 Bach Organ Works – Clavierübung III 2:48 Classical
120 Muddy Waters “Double Trouble (Alternate)” Chess Blues 1954-1960 1992 3:31 Blues
130 Johnny Cash “Ballad Of Ira Hayes” Classic Cash 1988 2:53 Country
140 Blue Cheer “The Hunter” Vincebus Eruptum / Outsideinside 4:31 Rock
150 Jethro Tull “A Small Cigar” Nightcap: Unreleased & Rare Tracks 1993 3:39 Rock
160 Marie Osmond “Karawane” Lipstick Traces 1984 0:31 Avant-Garde
170 Heiko Laux “Organism” Liquidism 1998 6:26 Electronica/Dance
180 Alicia Keys “Girlfriend” Songs In A Minor 2001 3:34 R&B
190 Anson Weeks “1. Hallelujah 2. It Was So Beautiful 3. The Lady I Love 4. I Guess I’ll Have To Change My Plan” Anson Weeks Broadcast 13:05 Pop
200 Bob Dylan “Desolation Row” The 1966 Live Recordings 1966-02-05 – Westchester County Center, White Plains, NY [AUD] 1966 10:50 Rock
210 Bob Dylan “Love Minus Zero/No Limit” [incomplete] The 1966 Live Recordings 1966-02-06 – Syria Mosque, Pittsburgh, PA [AUD] 1966 3:53 Rock
220 artist Track 01 album 1:36 Spoken Word
230 Bob Dylan “Tell Me, Momma” The 1966 Live Recordings 1966-02-26 – Island Garden, Hempstead, NY [AUD] 1966 3:42 Rock
240 Anson Weeks “Compilation of Selections 1” Anson Weeks Broadcast 18:35 Pop
250 Bob Dylan “I Don’t Believe You (She Acts Like We Never Have Met)” The 1966 Live Recordings 1966-04-13 – Sydney Stadium, Sydney, Australia, New South Wales [SBD Australian TV] 1966 5:51 Rock
260 Jack Webb “Benny Trounsel – Narcotics” (08/04/49) Dragnet Radio Series 1949 29:41 Radio Show
270 Lon Clark “The Echo of Death” (07/06/43) Nick Carter, Master Detective 1943 29:31 Radio Show
280 Bob Dylan “Cat’s In The Well” Under The Red Sky 1990 3:21 Rock
290 Bob Dylan “Desolation Row” 1966-04-13 – Sydney, Australia, Sydney Stadium, New South Wales 1966 11:08 Rock
300 Penguin Cafe Orchestra “The Sound Of Someone Who You Love…” Angels In The Architecture 1982 11:41 Alternative
310 Mira Calix “Khala” Ilanga Khala 7″ 10:10 Electronica/Dance
320 artist Track 02 album 1996b 1996 11:23 Spoken Word
330 Tom Collins “The Violent Virtuoso” (09/04/49) The Adventures Of Frank Race 1949 29:14 Radio Show
340 Gerald Mohr “The Persian Slippers” (10/03/48) The Adventures of Philip Marlowe 1948 29:36 Radio Show
350 Bob Dylan “Desolation Row” The 1966 Live Recordings 1966-04-19 – Festival Hall, Melbourne, Australia [AUD] 1966 9:27 Rock
360 Bob Bailey “Have Some Excitement” (06/07/48) Let George Do It 1948 30:04 Radio Show
370 Bob Dylan “Desolation Row” The 1966 Live Recordings 1966-04-20 – Melbourne 1966 12:10 Rock
380 Julian Rose “Hebrew vaudeville: parody on In the shade of the old apple tree” Edison Gold Moulded Record 1906 2:13 Novelty
390 Richard Kollmar “The Wentworth Diamonds” (04/25/45) Boston Blackie 1945 27:02 Radio Show
400 Dick Powell “The Ralph Chase Case” (05/15/49) Richard Diamond, Private Detective 1949 29:32 Radio Show
410 Bob Dylan “Baby, Let Me Follow You Down” The 1966 Live Recordings 1966-04-29 – Stockholm Concert Hall, Stockholm, Sweden [AUD] 1966 3:19 Rock
420 Bob Dylan “Ballad Of A Thin Man” The 1966 Live Recordings 1966-05-01 – K.B. Hallen, Copenhagen, Denmark [SBD] 1966 7:54 Rock
430 Jack Webb “Claude Jimmerson, Child Killer” (02/02/50) Dragnet Radio Series 1950 29:20 Radio Show
440 “March of Time” News 1937 1937 30:04 History
450 Bob Dylan “Baby, Let Me Follow You Down” The 1966 Live Recordings 1966-05-05 – Adelphi Cinema, Dublin, Ireland [SBD] 1966 3:36 Rock
460 artist Track 01 album 2016b 2016 16:46 Spoken Word
470 Charles Russell “Out of the Fire into the Frying Pan (The Prize Hog Bodyguard)” (8/21/1949) Yours Truly, Johnny Dollar 1949 29:45 Radio Show
480 Bob Dylan “Desolation Row” The 1966 Live Recordings 1966-05-06 – ABC Theatre, Belfast, Northern Ireland [SBD] 1966 10:16 Rock
490 Bob Dylan “Like A Rolling Stone” The 1966 Live Recordings 1966-05-06 – ABC Theatre, Belfast, Northern Ireland [SBD] 1966 8:03 Rock
500 National Safety Council “Right Dress – Part 1” Right Dress 10:23 Spoken Word
510 Elliot Lewis “The White Masters” (11/25/1946) The Casebook Of Gregory Hood 1946 25:30 Radio Show
520 Harold Huber “Murder Is a Private Affair” (11/30/1945) Agatha Christie’s Poirot 26:25 Radio Show
530 Gerald Mohr “Friend from Detroit” (03/05/49) The Adventures of Philip Marlowe 1949 29:38 Radio Show
540 Orson Welles “The Society of the Living Dead” (01/23/38) The Shadow 1938 28:01 Radio Show
550 Gerald Mohr “Cloak of Kamehameha” (04/23/49) The Adventures of Philip Marlowe 1949 29:45 Radio Show
560 Gerald Mohr “Lady in Mink” (04/30/49) The Adventures of Philip Marlowe 1949 29:45 Radio Show
570 “Murder Across The Board” (07/12/41) The Green Hornet 1941 28:25 Radio Show
580 Orson Welles “The Phantom Voice” (1938-02-06) The Shadow 1938 26:33 Radio Show
590 Dick Powell “Murder My Sweet” (6/8/1946) Hollywood Star Time 1946 30:12 Radio Show
600 Steely Dan “Your Gold Teeth” Countdown To Ecstasy 1998 6:59 Rock
610 J. Scott Smart “A Window For Murder” (10/03/47) The Fat Man 1947 26:57 Radio Show
620 Bob Dylan “Horace Silver and Steely Dan” Theme Time Radio Hour Season 1 – 07 – Father 0:58 Spoken Word
630 New Christs “Gotta Keep Movin'” Tivoli, Sydney Australia 7-83 4:05 Punk
640 William Gargan “Microfilm in the Fishtank” (10/24/51) Barrie Craig, Confidential Investigator 1951 29:29 Radio Show
650 artist Track 03 album 43:29 Spoken Word
660 Bob Bailey “A Deadman Who Was a Murderer” (07/19/48) Let George Do It 1948 29:36 Radio Show
670 Alan Ladd “Speed To Burn (06-26-1949)” Box 13 1949 26:47 Radio Show
680 Tom Conway “The Clue Of The Hungry Cat” (10/26/46) The New Adventures of Sherlock Holmes 1946 24:24 Radio Show
690 Muhammad Ali & the Ali Gang “Ali fights Tooth Decay – side 1” The Adventures Of Ali And His Gang Vs. Mr. Tooth Decay 1976 18:12 Novelty
700 Bob Bailey “The Smugglers” (04/05/48) Let George Do It 1948 29:42 Radio Show
710 Morah Blanka (Mrs. Blanka Rosenfeld) “Hillel’s Love for Torah” Stories Under the Mitzvah Tree 1973 10:21 Spoken Word
720 Suicide Commandos “Mosquito Crucifixion” Make A Record 2:13 Punk
730 Inner Sanctum “The Man from Yesterday” (12/21/41) Inner Sanctum 1941 29:26 Radio Show
740 Jack Webb “The Big Youngster” (08/17/50) Dragnet Radio Series 1950 29:19 Radio Show
750 “Votes For Sale” (10/9/40) The Green Hornet 1940 27:48 Radio Show
760 “Murder Trips A Rat” (9/19/42) The Green Hornet 1942 27:24 Radio Show
770 Bob Bailey “The Father Who Had Nothing to Say” (09/13/48) Let George Do It 1948 29:30 Radio Show
780 Bob Bailey “Murder It’s A Gift” (11/08/48) Let George Do It 1948 29:36 Radio Show
790 Larry Thor “The Roberto Segura Murder Case” (01/31/50) Broadway Is My Beat 1950 29:32 Radio Show
800 Larry Thor “The Sgt Gordon Ellis Murder Case” (11/12/49) Broadway Is My Beat 1949 29:23 Radio Show
810 Dr. Feelgood “Back in the Night” Stupidity 1976 3:09 R&B
820 Commander Cody & His Lost Planet Airmen “Big Mamou” We’ve Got a Live One Here! 1976 3:31 Pop
830 Smashing Pumpkins “Take Me Down” Mellon Collie And The Infinite Sadness – Dawn To Dusk 1995 2:52 Alternative
840 D.J. Menard “La Porte d’en Arrière” River of Song: a Musical Journey Down the Mississippi 3:49 Folk
850 Bob Bailey “The Ideal Vacation Matter” [AFRTS] (9/22/57) Yours Truly, Johnny Dollar 1957 20:12 Radio Show
860 Spike Jones Guest – Jan August (10/31/47) Spotlight Revue 1947 29:41 Radio Show
870 Spike Jones Guest – Jack Owens (11/07/47) Spotlight Revue 1947 28:52 Radio Show
880 Richard Kollmar “Atkins, Jewel Thief” (12/06/45) Boston Blackie 1945 27:56 Radio Show
890 Inner Sanctum “Black Sea Gull” (03/07/43) Inner Sanctum 1943 28:41 Radio Show
900 Joel McCrea “Jailbird” (05/25/52) Tales of the Texas Rangers 1952 29:55 Radio Show
910 “The Corpse That Wasn’t There” (3/7/43) The Green Hornet 1943 33:20 Radio Show
920 John Emery “The Case of the Cellini Cup” (4/29/43) Philo Vance 1943 29:38 Radio Show
930 Bob Bailey “The Night in Paris Matter” (8/16/59) Yours Truly, Johnny Dollar 1959 19:04 Radio Show
940 Brian Donlevy “Missing Japanese Weapons” (02/06/50) Dangerous Assignment 1950 29:16 Radio Show
950 Wilco encore break 2011-09-23 – Central Park, New York 2011 2:49 Rock
960 Jacques Brel “Le Colonel” Au Printemps 1958 3:13 World
970 Charles Brown “Get Yourself Another Fool” Driftin’ Blues – The Best Of Charles Brown 3:03 Blues
980 The Mysterious Traveler “I Won’t Die Alone” (5/11/48) The Mysterious Traveler 1948 29:27 Radio Show
990 Cheb I Sabbah “Sadats (Saints of Marrakesh)” La Kahena 2005 6:02 World
1000 Forty Foot Echo “Brand New Day” Freaky Friday 2003 3:36 Alternative

Ninety-nine Thousand (99,000)

Just listened to my 99,000th unique iTunes track, a bland piece of nothing from the Freaky Friday soundtrack, “Brand New Day” by Forty Foot Echo. I would have preferred the milestone to have fallen to the preceding song, Steve Earle’s “Down The Road” from Guitar Town.

99,000 unique tracks comprises 653.99 GB of data, with a total duration of 280 days, 12 hours, 19 minutes, and 17 seconds (without allowance for multiple plays). My iTunes collection still has 81,351 items left unplayed — a ~5k increase in the number or tracks, due mostly to downloading old radio shows from Archive.org after becoming enamored with the Dragnet programs mentioned in my last note on music. The unplayed tracks take up 561.56 GB of data (↑ 79GB) with a playing time of 306 days, 15 hours, 16 minutes, and 42 seconds (↑ 84 days, due to the aforementioned radio shows, most of which are 30 minutes long).

I’m preparing a more detailed analysis, similar to that in my 100 Books note, and will let you know when that’s done.